EBM is the first new music from Editors since 2019 and signals a new era from one of the UK's most intriguing and enduring musical success stories. Having previously collaborated with Editors, bringing additional production to their sixth album, Violence, Ivor Novello winning composer and producer Benjamin John Power, aka Blanck Mass, joins as a full time member and ushers in another bold chapter for a band that never stood still creatively over the course of their 17 year career. All 6 of band's studio albums have charted in the UK top 10, with 2 scoring number 1's, and their debut, The Back Room, was shortlisted for the Mercury Prize. Their 2020 tour saw them play their biggest UK headline show to date at OVO Arena Wembley, attesting to their ever-growing audience at home and abroad.
“The whole point of this record was to share every emotion that I feel,” says The Soft Moon’s Luis Vasquez.“No two songs are the same. It’s about existing in the world as a human being and experiencing many emotions and experiences throughout life.”
And so hence the title Exister, a record rooted in the ecstatic joys and crippling lows that life can throw up and how just hanging on and existing is sometimes all we have. “Exister is my way of saying ‘I’m here, deal with it.’” Vasquez says.
Sonically, this expression is a vast, expansive and potent one. The opening ‘Sad Song’, which unfurls with a dense brooding atmosphere, Vasquez describes as almost a ballad, while tracks such as ‘The Pit’ capture the opposite end of the musical spectrum, exploding as a thundering piece of industrial techno complete with gut-churning levels of bass. ‘Monster’ - a song that follows a human metamorphosis into an unrecognizable and destructive being - seamlessly combines a deeply melodic, almost electro pop, vocal hook with a slow build atmospherics to create something equally beautiful and unsettling. ‘Become the Lies’ explores the devastating consequences of being lied to by your own family and is a post-punk stomper, merging charging basslines, pummelling drums and snaking guitars, all of which combine explosively. Elsewhere the album runs the gauntlet of everything from ambient to dark wave - features ferocious guest contributions from fish narcand Special Interest’s Alli Logoton ‘Him’ and ‘Unforgiven’ - all while retaining that distinct tone that unmistakably The Soft Moon.
If there was a living, breathing rock’n’roll meme, who else could it possibly be? And this meme won’t stand still.
46 years into his recording career, Billy Idol is still the ever-moving myth, the intellectual/feral internet-age bookworm/caveman of our dreams, finding modern language for the fiery, Eddie Cochran-meets-Ziggy Stardust rip’n’roar that he’s been making since he first stepped on stage. And that’s all on The Cage EP, out September 23rd on Dark Horse Records; four tracks that engage you like classic Idol, yet keep your eyebrows raised like that stuff you heard coming out of that teenagers’ car that just rolled down the street.
It’s funny; maybe the name really did define him. 46 years ago when everyone was sniffing the nihilistic glue and giving themselves snotty little punk rock names, it was supposed to be “Idle” – but someone wrote it wrong, and William Broad became Billy Idol instead. And that’s what he became: An idol. But this idol is not made of stone, and he’s certainly not stuck on a pedestal to be done, dusted, and dusty. Billy Idol insists on being today’s news, not just yesterday’s memory. He fire-breathes dreams and nightmares, he delivers clubland croon and Bolan-blessed cool, and he moves through the desert, sluices through the cities, speeds across oceans, hills, mesas, and time. And if you think Idol is Idle, you haven’t heard The Cage EP.
It’s been exactly one year since Billy Idol released his last EP, also on the George Harrison-founded Dark Horse Records – the rich and diverse Butch Walker-produced The Roadside, which had the effect of being both in your face and full of the uncertainty and darkness of the pandemic. But a lot has happened during that time. First and foremost, Billy Idol and Steve Stevens hit the road again, and that amazing energy infected their new work.
Billy Idol: “The last EP, we were kind of warming up to this. This EP is a lot more coming at you. Loads more guitar. And that’s a lot of fun. We were pretty fired up by the fact that we hadn’t played for a couple of years, and suddenly we were bursting on stage, and it kind of woke us up to what the next EP could be: That it could be a little more strum und drang, a little more coming at you, a little more rock’n’roll, a little more f*ck you! Well, a tiny bit of f*ck you, anyhow. The bottom line is we had a lot of fun doing it.”
“Cage,” the title cut of the EP, may be Billy and Steve’s most ferocious and flat-out punk rocker in decades. In fact, it may even make you think that the spiraling riffs, soaring melodies, and morse-code rhythms of Generation X have been transported into the 21st century.
“Classic is what we were shooting for,” says co-producer Zakk Cervini.. It’s loud guitars and live drums yet treated in such a way that it can live alongside music being made today. I asked myself, ‘If Billy was a brand-new artist today, what would he be making?’ And that’s what we shot for. One of the goals Tommy and I had was to help Billy and Steve make songs that would just go crazy live. This time around, we were all thinking, shows are back, the world is opening up again, this is exciting, we want new material that just goes off live. High energy, kickass great rock songs. That’s what we shot for, and I think that’s what we got.”
Tim Burgess is an English musician, singer-songwriter and record label owner, best known as the lead singer of the alternative rock band the Charlatans. While in The Charlatans, Tim's indefatigable energy has been a consistent fuel for the band across thirteen high-charting albums, and his solo adventure has been no less extraordinary, scaling new heights in 2020 with his fifth solo album, I Love The New Sky followed by the Ascent of the Ascended EP in 2021. Typical Music is a 22-track blockbuster set of songs that are as expansive and diverse as they are rich, as fun as they are funky and that embrace heartache and love. They run the gamut, from ABBA (in the shape of guest vocalist Pearl Charles) to Zappa (free-form studio experimentation). Tim continues to host his infamous #TimsTwitterListeningParty, having drawn in members of bands such as Iron Maiden, Culture Club, Tears for Fears, Japan, the Smiths, the Go-Go's and New Order.
Paradise Again came together in the wake of rediscovering Swedish House Mafia's musical synergy on the band's 2019 reunion tour, spending countless hours in the studio, exorcizing new sonic palettes, textures, and tones from an arsenal of analog synths. It represents an ambitious broadening of their musical scope, as evinced by the wide-ranging roster of collaborators and guests, including The Weeknd, A$AP Rocky, Sting, Ty Dolla $ign, 070 Shake and many more.
Daddy Yankee’s farewell album LEGENDADDY combines all the styles that have defined him in one single album. It contains 19 tracks and has the most superb guest list yet including Bad Bunny, Rauw Alejandro, Nile Rodgers, Becky G and more. He also collaborated with some of the industry’s hottest producers including Play-N-Skillz, Luny (Luny Tunes) and Tainy. LEGENDADDY stands out as his first album in ten years and his boldest, brightest, and biggest musical statement ever.
Limited blue colored vinyl LP pressing in gatefold jacket. The Wonder Years is a band. That descriptor both defines and understates the rock band that has released some of the most life-affirming, cultural touchstones of the 2010's and 2020's. On the band's fifth full length studio album, The Hum Goes On Forever, The Wonder Years created the most "The Wonder Years" album in their career. With their trademark call-backs to previous songs/albums, and thought-provoking and heartfelt vulnerability on display, The Hum Goes On Forever is one for The Wonder Years' fans, for anyone who listens, anyone who needs it, everyone who's grown up with the band and has sought, and continues to seek, refuge in their songs.
Four-time GRAMMY nominee, multi-platinum selling saxophonist Boney James’ new album Detour marks his 18th release as a leader. Following the success of his 2020 album Solid (#1 Billboard Contemporary Jazz Chart and #10 Billboard Top Albums), Boney’s new record showcases ten original tracks including “Coastin’” featuring iconic vocalist Lalah Hathaway. Also featured is trumpeter Dontae Winslow, known for his work with the West Coast Get Down.
Steve Bates is an artist and musician known for his work with post-rock ensemble Black Seas Ensemble, duos with Timothy Herzog and Sophie Trudeau of Godspeed You! Black Emperor, amongst others, as well as a series of digital-only sonic explorations on his own label, The Dim Coast.
All The Things That Happen is his first full-length album for Constellation. For this album, Bates pursued a more stripped down exploration of the noisier terrain of the cheap timbre and tonality of the much-loved Casio SK-1 keyboard sampler. These sounds were fed through a variety of electronics, effects, amps, cassettes recorders to shift into their current form heard on these tracks. Steve notes that all the tracks started off as ambient, “but I always kept reaching for more texture and noise.” Getting reacquainted with the Casio SK-1 was the initial focus on developing the music here. Processed and manipulated during the recording and mixing stages, these initial SK-1 sessions became the foundation of this body of music. Working within the rich world of experimental electronics, these tracks have a core melodicism to them and maybe even a melancholy, as distortion and overtones saturate and spray the music in various directions, while feeling whole and integrated as a body of sound.
Three CDs. Madison Square Garden, the world-famous New York City arena, was a home away from home for The Grateful Dead, a reliable sanctuary where the band would ultimately play 52 shows, a record at the time. The venue's fine acoustics combined with the fans' unbridled energy consistently brought out the best in the Dead. At the band's 2015 induction ceremony into Madison Square Garden's Walk Of Fame, Bobby Weir said "This place was both horrifying and titillating with an audience that was discerning but ravenous. We had to rise to the occasion every time."
Dan Álvarez de Toledo and Jordan Dunn-Pilz have a special bond. Growing up in Newburyport, Massachusetts, the two were fast and unshakable friends through sleepovers, school choir practices, and discovering formative bands, to the point that now, as roommates in Brooklyn, they finish each other’s sentences. This shared history and obvious love for each other are tangible in their songwriting project TOLEDO, named after the Spanish town and Álvarez’s familial namesake. Their music, which is full of seamless harmonies throughout, skirts the softer edges of indie rock and the darker fringes of pop with each song imbuing a heaping dose of vulnerability and emotional openness.
On How It Ends, their debut album which is out September 23 via Grand Jury Music, the two dive into each other’s family histories and traumas as they navigate their own lives as twenty-something musicians. These tracks are striking for their blunt honesty but also for the way Álvarez and Dunn-Pilz’s real-life chemistry translates on record: the 12 songs are as tender as a warm hug and as clarifying as a needed reality check. This LP is the product of deep self-reflection and the necessary hard work that comes with any relationship.
Through the writing of these songs and the making of this music, I found my way back to the world around me – a way to reach nature and the people I love and care about. This record is a sensory exploration that allowed for a connection to a consciousness that I was searching for. Through the resonance of sound and a beaten up old piano I bought in Camden Market while living in a city I had no intention of staying in, I found acceptance and a way of healing.” Beth Orton describes Weather Alive, her most personal album to date, as “a collaboration with time – of someone struggling to make sense. And in that struggle, something beautiful got made.” For Orton, music re-emerged in the past several years as a tethering force, even when her own life felt more tumultuous than ever. After wrestling with mysterious health issues for years, she turned a major corner in 2014 when at long last she received a correct diagnosis and was able to begin managing her condition with medication. However, Orton found this newfound clarity almost as disempowering as the mystery of her inexplicable illness because it waylaid her sense of self, and when strange occurrences persisted, she was only able to process them through long periods of making music at the upright piano installed in a shed in her garden. These sessions in solitude turned into the eight-track Weather Alive, the first album Orton has self-produced in her 30-year career. The piano spoke to Orton, holding an emotional resonance she wasn’t able to explore with guitar. Indeed, the first notes of the album-opening title track usher the listener into an expansive, emotive and dream-like world of sound with little precedence in Orton’s prior work, and through the writing of these songs and the making of this music, Orton found her way back to the world around her. Orton’s close collaborators on Weather Alive include Tom Skinner (Sons of Kemet, The Smile) on drums and Tom Herbert on bass, with additional players adding nuance and color to the music: Shahzad Ismaily on guitar, drums, harmonica, bass and Moog, Sam Beste on vibraphone, Francine Perry on synths, and Alabaster dePlume on saxophone.
Divino Niño are no strangers to bold reinvention. When Camilo Medina and Javier Forero—friends whose bond dates back to their childhoods in Bogotá, Colombia—moved to Chicago and recruited guitarist Guillermo Rodriguez to form a band, they were psych-pop outsiders playing live shows with a drum machine. With the addition of drummer Pierce Codina, their 2019 breakthrough and debut LP for Winspear, Foam, solidified their place as local indie rock mainstays. Soon after, multi-instrumentalist Justin Vittori joined to round out their lineup. Once again, with their masterful, unpredictable, and eminently danceable new album, the band has done something radical: They totally upended the way they write songs, eschewing practice room jams for unrelentingly collaborative beats, implied grooves for immersive dance floor heaters, and mellow vibes for frenetic doses of reggaeton, electropop, and trap on their most adventurous and ambitious work to date. Welcome to the Last Spa on Earth.
Written and recorded over the past two years, Last Spa on Earth deals in release and catharsis: confronting your darkest moments and coming out better for it. The album artwork, done by Medina, a longstanding visual artist, depicts a dreamy, yet graffiti-tagged spa, void of physical bodies so listeners can envision themselves in this unique environment. It represents the yin and yang approach Divino Niño took while creating the album: the serenity of the spa and the chaos of the party. Ultimately, the band’s desire is to provide healing in the same way one feels after sweating, shivering, stretching, and resting at the spa against the backdrop of the world’s darkness. Last Spa on Earth is the cathartic product of Divino Niño letting go of their musical preconceptions, past traumas, and future anxieties to embrace change, chaos, and each other’s contributions both to these songs and to each other.
Troubadour, meaning an itinerant singer of songs, is a word that dates back centuries, and comes from the French verb “trouver,” which is to find. These musical wanderers would find and invent stories humorous and intellectual, romantic and earthy, performing them as they went from town to town. Troubadour is also the word that acclaimed musician-raconteur Todd Snider leans on to describe himself and his latest release, Live: Return of the Storyteller.
“I think my first thought with this record was I wanted to remind people really quickly that I'm a troubadour,” says Snider. “Playing live is the only chance for me to show, 'This is what I really do.' I've never thought of myself as a recording artist. I'm someone who gets over by traveling around, telling stories, making up new songs and singing them alone on stage.”
Before he even made his professional debut with Songs For The Daily Planet in 1994, Snider already knew that he wanted to be part of this time-honored tradition. “I like the romantic notion of drifting around and laughing your way through life,” he says. “Like Jim Croce or Mark Twain. I felt like I was half-doing that anyway. When I was 19, I was a real drifter and a sofa circuit person. Then when I first saw Jerry Jeff Walker and John Prine play, I became obsessed. I followed them both around like The Grateful Dead. I saw that the difference between a free spirit and a freeloader was three chords.
“And as soon as I figured that out, I knew that it would help me as a person who didn't have a plan. Just to be a busker. I didn't want to sign up for normal life. I wanted to do another thing, and then it turned into a real gig. I was really surprised. It's still funny to be getting away with it.”
That speaks to Snider's modesty about his singular talent and deep catalog of songs of every emotional stripe. Rolling Stone has called him “America's sharpest musical storyteller” while the New York Times described him as “a wryly quotable phrasemaker and worthy antagonist.” Live: Return of the Storyteller – his third live album and nineteenth overall - plays like a masterclass by one man with a guitar and a freewheeling imagination. Threading his husky-voiced phrasing through a likable cosmic cowboy manner, he invites you on a tour of tunes humorous (“Big Finish,” and the have-meets- have-not “In Between Jobs”), Proustian (“Play a Train Song,” “Too Soon To Tell,” and the lump-in-the-throat snapshot of John Prine on “Handsome John”) and heart-worn (“Like a Force of Nature,” “The Very Last Time,” “Roman Candles”). As the fifteen-song set unfolds, you can feel a tangible bond building between Snider and his fans.
But the songs are only half of what makes the connection so compelling.
Acting as palate cleansers and putty, the stories between numbers offer colorful glimpses into Snider's interior life. Whether he's talking about being mistaken for a homeless guy in a nice hotel, searching for a song in the woods while tripping or the poetry of one of his heroes dying on stage, his spoken interludes are delivered with both meandering charm and deadly comic timing.
Snider credits an unlikely source of inspiration for both. “The comedian Richard Lewis is a friend and a mentor, and we talk almost every day,” Snider says. “We met about six or seven years ago through a drummer who's a mutual friend, and really hit it off. I feel like since I've known him, my storytelling has evolved. I don't know that I've gotten better, but a lot of the ways I approach my shows is from learning things from Richard. Especially this idea of being able to go on and on without just going on and on. To ramble without getting boring.”
Snider is also mindful about not repeating himself when he's returning to a familiar venue, which can add a tightrope quality to his performances. “On this record, when I left Nashville, I didn't know what I was going to say,” he admits. “I just knew that it couldn't be the same shit that I've said. I was going to have to have some new stories to tell. That's how it's been for years. Then one night, I'll get up there and open my mouth and something new comes out. And then I'll just keep telling it and refining it. It happens under pressure.”
The timing of Live: Return of the Storyteller's release has extra resonance in our post-pandemic era. Snider says, “I'm glad I recorded the tour last year, because that was the sound of the country getting to see live music again. It was unique and it won't happen again. Everyone just hugs at the start of a concert - you can tell that they're glad to see each other, and then they get more excited than they used to be about just being out and seeing music. I'm sure that it will go back to normal, but it hasn't yet.”
While the album captures what Snider laughingly calls his “second tour - because I went out on the road in '94 and never went home until the pandemic” - it acts as both a summing up of a thirty-year career and a look ahead.
“I always think that being a recording artist isn't something that I've thrived at,” he says. “I have fun with it and try all different kinds of music and try to learn more and more, but the only reason I get to do it is because of the main thing I do - which is travel around by myself and sing and tell stories. That thing works. Since I was twenty, that thing has worked. People come to see me do it and I love to do it.”
Sunny Sweeney, a genre-bending songwriting spitfire who has spent equal time in the rich musical traditions of Texas and Tennessee, returns with 'Married Alone', the celebrated singer-songwriter’s fifth studio album and the follow-up to 2017’s critically acclaimed 'Trophy'. Co-produced by beloved Texas musician and larger-than-life personality Paul Cauthen and the Texas Gentlemen’s multi-hyphenate Beau Bedford, Married Alone is Sweeney’s finest work yet, bringing together confessional songwriting, image-rich narratives and no shortage of sonic surprises for a loosely conceptual album about loss and healing.
"Before I made this album, I did two things I’d never done before. I saw Stevie Nicks in concert with Fleetwood Mac, and I toured with Bob Seger. While Waylon and Loretta are tattooed on my heart and I’m deep-rooted in fiddle, steel, and twangy telecaster, this time, I channelled my deep love for rock icons Stevie, Tom Petty, Neil Young and Bob Seger in a way I never have before. I married ethereal rock vibes with the grit of a country lyric. Paul Cauthen took the helm as producer and brought in the stellar Beau Bedford and Jeff Saenz to complete the trifecta to get the sound we were going for. The majority of the album was recorded at Modern Electric Sound Recorders in Dallas, TX and features some of the band members I play with every night on tour. I want my fans to be able to take home that live experience, the guitar tones, fiddle solos - I leave everything on the stage each night and I want people to feel that in this recording."
Iron Fist is repositioned as a vital snapshot of Motörhead at a crucial period when they found themselves caught in the tornado ignited by success and, in true Motörhead style, careered into their next phase at such velocity it transcended logic or reason to become this trio’s final kamikaze joyride. Forty years later, with fall-out long dissipated and a proper mastering job that avoided it at the time, Iron Fist sounds like prime Motörhead with the gloves and seat-belts off. For sheer velocity, it could be fastest of them all, the ferocious title track earning such an accolade in Kerrang! in its tribute spread to Lemmy after he passed away. By 1982, punk had been and gone, the new wave of heavy metal sounded squeaky and cliched next to its grubby godfathers and, while still trouncing all opposition, Motörhead retained that essential ability to laugh at everything, including themselves as they made lightning raids on every sense and orifice with everything cranked to overload. This is the limited edition black & blue swirl vinyl single LP of the album
On Internal Radio, the new album by Eerie Wanda, visual artist and musician Marina Tadic welcomes you to her inner world. Guided by intuition, Tadic’s songs use haunting, ethereal space, growing whole universes from the seeds of ideas. Internal Radio documents Tadic becoming the artist she wants to be, working through some things, and even exorcizing a few demons. The result is the most realized Eerie Wanda album yet, building on the project’s guitar pop past for a more experimental, other-worldly, serious grown-up affair that ventures into sensitive, emotional territory.
Ali Farka Touré trekked the world, bringing his beloved Malian music to the masses. Dubbed “the African John Lee Hooker,” one could hear strong connections between the two; both employed a bluesy style of play with gritty textures that elicit calm and fury in equal measure. While the influence of Black blues music prevailed, Touré created a West African blend of 'desert blues' that garnered Grammy awards and widespread reverence.
Though he transcended in 2006, Ali’s musical legacy lives on through his son, Vieux aka “the Hendrix of the Sahara,” an accomplished guitarist and champion of Malian music in his own right. On Ali, his collaborative album with Khruangbin, Vieux pays homage to his father by recreating some of his most resonant work, putting new twists on it while maintaining the original’s integrity. The result is a rightful ode to a legend.
Ali isn’t just a greatest hits compilation. It’s a lullaby, a remembrance of Ali's life through known highlights and B-sides from his catalog. It is a testament to what happens when creativity is approached through open arms and open hearts. “To me, music is magic, it is spontaneous, it is the energy between people,” Vieux says. “I think Khruangbin understands this very well.”
The genesis of the album dates back to 2019, when Khruangbin, coming off their breakthrough album Con Todo el Mundo, was beginning to play to bigger crowds. The record was finished in 2021, as a global pandemic shuttered businesses and forced us to take stock of what Earth was becoming. Indirectly, Ali captures this as a moment of peace within a raging storm, a conversation between past and present without allegiance to suffering. Now, given Khruangbin’s reach as a unit with legions of fans (including the likes of Jay-Z and Paul McCartney), they’re poised to bring Malian music to broader groups of listeners.
THE KINKS, Muswell Hillbillies & Everybody’s In Show-Biz – Everybody’s a Star deluxe 6LP, 4CD box set is being released through BMG on September 9, 2022 in celebration of the 50th Anniversary. The box set combines two of THE KINKS’ classic 1970’s albums - Muswell Hillbillies, the album the band toured in America; and helped define them as a rock band in the U.S.. And Everybody’s In Show-Biz – Everybody’s a Star; the album that was written in reflection of the tour. Packaged inside a newly designed two-part box, this deluxe set includes remastered audio from the original Muswell Hillbillies & Everybody’s In Show-Biz, pressed across 5 color vinyl and 4 CD’s. Also includes a bonus heavyweight black vinyl of 11 new Ray Davies remixes and a Blu-Ray video of “Ray Davies 1971 Home Movie”. Also included in the release is a “London Roots Map” of all the Kinks landmarks, x6 glossy photos, a Kinks Pin-Badge and 52pp hardback book including rare and unseen band photos and quotes.
ABBA’s all-time best-selling album is now available as a limited-edition Picture Disc 2 LP for the very first time, featuring 19 timeless hits such as “Dancing Queen” and “Mamma Mia.” Pressed on 180-gram heavyweight vinyl which features classic ABBA graphics on the design, the discs are housed in a die-cut gatefold sleeve.
Breaking a decade of omertà, The Mars Volta reawaken from their lengthy hiatus with an eponymous track that radically reshapes their paradigm. Formed by guitarist/composer Omar Rodríguez-López and singer/lyricist Cedric Bixler-Zavala, The Mars Volta rose from the ashes of El Paso punk-rock firebrands At The Drive-In in 2001. On a mission to “honour our roots and honour our dead”, The Mars Volta made music that fused the Latin sounds Rodríguez-López was raised on with the punk and underground noise he and Bixler-Zavala had immersed themselves in for years, and the futuristic visions they were tapping into. The albums that followed were one-of-a-kind masterpieces, their songs of breath-taking complexity also possessing powerful emotional immediacy. After the group fell silent, a legion of devotees (including Kanye West) kept up an insistent drum-beat for their return.
Now – a year after La Realidad De Los Sueños, a luxurious 18-LP box-set compiling their back catalogue, sold out its 5,000 print run in under 24 hours – the duo are back, accompanied this time by founder bassist Eva Gardner, drummer Willy Rodriguez Quiñones and keyboard-player Marcel Rodríguez-López. This song shakes loose some of The Mars Volta’s long-standing shibboleths and the dizzying, abrasive prog stylings of earlier albums absent.
Instead, The Mars Volta pulses with subtle brilliance, Caribbean rhythms underpinning sophisticated, turbulent songcraft. This is The Mars Volta at their most mature, most concise, most focused. Their sound and fury channeled to greatest effect, The Mars Volta finds Rodríguez-López’s subterranean pop melodies driving Bixler-Zavala’s dark sci-fi tales of the occult and malevolent governments. Distilling all the passion, poetry and power at their fingertips, The Mars Volta is the most accessible music the group have ever recorded.
On September 16, Capitol Records will release Marcus Mumford’s debut solo album, (self-titled). Produced by Blake Mills (Alabama Shakes, Jim James), the album includes duets with Brandi Carlile, Phoebe Bridgers, Clairo, and Monica Martin. Indie Exclusive Red Transparent 180-gram LP.
Girl Of My Dreams is an up-close look at the moments of heartache, triumph and deeply transformative experiences on FLETCHER's way to self-discovery. The new record expands on the boldly detailed storytelling she’s brought to hits like “Undrunk” and “Bitter.” This time around, FLETCHER reveals her inner world more fully and fearlessly than ever before, embracing the kind of uninhibited honesty that’s freeing for both artist and audience.
Wide Eyed Nowhere is Turin Brakes’ ninth full studio album, a set of new songs emerging 21 years after their seminal debut. It's no easy feat maintaining an optimistic attitude through the turbulence of the years, but the band found their own method down in deepest Tooting to produce this lean, bittersweet collection.
The South London 4-Piece comprising Olly Knights, Gale Paridjanian, Rob Allum and Eddie Myer recorded this new set of songs at Twin Palms - Olly's garden studio - over the summer of 2021, choosing to let time infuse into the music and mature in a way it couldn’t in a pressurised commercial studio setting.
Turin Brakes released Mercury Prize shortlisted the Optimist in March 2001 (achieving gold status in the UK), followed up by 2003’s Ether Song which featured the top 5 hit single "Pain Killer (Summer Rain)". The band has since moved on to rack up seven top 40 singles, seven top 40 albums and over a million record sales worldwide.
Created during the pandemic lockdown,The Trouble with Fever, co-produced with her husband, Patrick Carney, is Branch's fourth solo album and follows her critically acclaimed 2017 album,Hopeless Romantic. The time at home gave Branch the opportunity to stretch herself creatively. She says: "The album began during the 2020 lockdown, while Patrick and I were here at home in Nashville. I didn’t realize I was making a record at first — it was more just for our own sanity, living in a house with a toddler, getting time together to play music and screw around in the studio. I had some unfinished songs that I’d started during the Hopeless Romantic recordings that I wanted to revisit and finish."
Little Big Town is set to release their brand-new studio album, Mr. Sun, on September 16, 2022. This is their 10th studio album and first new music in over 2 years. It features their latest single, “Hell Yeah.” Little Big Town first entered the music scene more than 20 years ago. The band’s breakthrough albums, Tornado and Pain Killer, produced multiple #1 singles, including “Pontoon,” “Tornado,” and “Day Drinking,” as well as 2015’s history-making, best-selling country single of the year, “Girl Crush.” Their 2017 release, The Breaker, debuted at #1 on the Billboard Country Albums chart and #4 on the Billboard 200 to critical acclaim. “Wine, Beer, Whiskey,” was the latest from their self-produced 9th studio album, Nightfall, which also reached the top of the Billboard Country Albums chart and has garnered over 316 million global streams.
Vinyl LP pressing. 2022 release. Spanish Villager No. 3 is the highly anticipated third studio album from Grammy-nominated artist Ondara. Featuring the single, "An Alien in Minneapolis," the album was produced by Ondara and Mike Viola.
Produced by Shaun Morgan and engineered and mixed by Matt Hyde (Deftones, AFI), their album Si Vis Pacem Para Bellum, (which translates to “If you want peace, prepare for war”) was recorded in Nashville, TN over two months in December 2019 and January 2020. The Deluxe Edition of the album that spawned three #1 Hit Singles at Active Rock Radio has been expanded to include all twenty-one songs recorded during the SVPPB session along with the alternate version of “Wasteland.”
Ringo Starr's newest EP - cleverly named `EP3' - includes 4 new tracks featuring longtime collaborators Steve Lukather, Linda Perry, Dave Koz, Jose Antonio Rodriguez and Bruce Sugar. `EP3' is filled with Ringo's instantly recognizable vocals, feel-good lyrics and easy-breezy melodies. Available on CD.
The story of Miloe begins in the pews of a church in the Democratic Republic of the Congo where Miloe's family would congregate every Sunday and community and rhythm entwined. On his new release Gaps, Miloe set out with the intention of bridging the funk-rock inclinations of Minneapolis with the ebullient Congolese sounds of his upbringing. Across six tracks, Miloe stays heavily syncopated and expertly textured and makes you want to dance with its infectious energy.
Anticipated new album from platinum-selling indie greats Death Cab for Cutie coming late this summer!
8x GRAMMY® Award-nominated rock band Death Cab for Cutie return today with “Roman Candles,” the first track off their highly-anticipated tenth studio album Asphalt Meadows. The new track from the indie rock veterans – now in their 25th year as a band – arrives with an official lyric video designed by Juliet Bryant (Justin Vernon, Japanese Breakfast, Laura Jane Grace) – watch here.
As with the forthcoming album in its entirety, “Roman Candles” was produced by GRAMMY® Award-winner John Congleton (St. Vincent, Sharon Van Etten, Wallows).
Of the inspiration for the song, the band shares: “‘Roman Candles’ is about the crippling, existential dread that goes hand in hand with living in a nervous city on a dying planet. And that the only way to be in the moment is to let it all go.” The track was born from co-founder, lead vocalist, and guitarist Benjamin Gibbard’s determination to create something succinct, loud, and strikingly direct. He shares: “The lyrics were cobbled from a couple of different songs dealing with my general sense of anxiety; the feeling that the fabric that weaves a functioning society together was crumbling during the pandemic.”
Tell All Your Friends is the groundbreaking debut album from Long Island’s Taking Back Sunday. Boasting the hit singles “Cute Without The ‘E’ (Cut From The Team),” “Great Romances of the 20th Century” and “You’re So Last Summer,” the album is highly acclaimed and has influenced artists of all sizes and genres over the last 20 years. This 20th Anniversary Edition 2-disc album includes a bonus 10” featuring four previously unreleased demos.
Harmony House, the follow-up to Dayglow's runaway 2018 debut album Fuzzybrain is a finely calibrated, carefully fussed overexpression of encouragement for anyone who needs it. Inspired by the piano-driven rock from the late '70s and early '80s, the album was written, produced, performed, and recorded entirely by Dayglow himself. Featuring danceable lead single "Close To You", effervescent "Balcony" and timeless "Medicine", Harmony House is about coming to terms with change and accepting that it doesn't have to be overwhelming. The standard edition features orange vinyl.
Under the name Dayglow, Texas-based singer, songwriter, and multi-instrumentalist Sloan Struble creates catchy, effervescent, guitar-based indie pop. Growing up in the town of Aledo, Texas, near Fort Worth, Struble began recording music at the age of ten when a friend showed him how to use GarageBand on his computer. The dearth of musical collaborators in Aledo eventually led him to learn multiple instruments, and throughout his teenage years, he recorded music by himself in his bedroom, taking influence from a variety of artists from Phoenix to James Taylor. Bolstered by the catchy single, "Can I Call You Tonight?" his home-recorded 2018 debut album Fuzzybrain went viral, earning him plenty of indie buzz alongside critical acclaim, millions of streams & sold-out shows. The standard edition features hot pink vinyl.
Calvin Harris, the GRAMMY and BRIT award winning, multi-platinum artist and supper producer, revives his Funk Wav alias with the release of the album Funk Wav Bounces Vol. 2. The album includes collaborations with a vast array of guests – 21 Savage, Dua Lipa, Young Thug, Stefflon Don, Chlöe, Charlie Puth, Pusha T, Shenseea, Tinashe, Normani, Lil Durk, Halsey, Offset, 6lack, Justin Timberlake, Coi Leray, Busta Rhymes, Donae’o, Latto, Pharrell, Swae Lee, Jorja Smith, and Snoop Dog.
A coming-of-age novel in album form, populated by an outrageous cast of misfit characters: teenage vagabonds and small-time criminals, junkyard dwellers and truck-stop transients. Rapscallion marks a major creative leap and the most magnificently heavy work yet from The Murlocs. Led by Ambrose Kenney-Smith the band instill each of the 12 hypnotic, volatile rock-and-roll songs with the freewheeling energy they’ve brought to the stage supporting Pixies, Stephen Malkmus, Ty Segall and Thee Oh Sees.
The album consists of 12 songs across various genres including the lead single, ‘질주 (2 Baddies)’. The album presents fans around the globe an opportunity to meet NCT 127’s brilliant performance as well as their appealing vocals. The lead single is a powerful performance based hip-hop dance track with a catchy signature synth sound and members’ energetic vocals. The lyrics portray NCT 127’s positive mindset, racing through life with confidence to reach success. Globally renowned songwriters participated in this album’s production, including Dem Jointz, Andreas Öberg, Cutfather, and KENZIE, Paul Blanco, sokodomo.
Hailing from Mongolia, The HU are unlike any other rock band in the world, introducing their new style of music they call "hunnu rock" - from the Mongolian root word for human being, "hu". Since their release, the band has been #1 on the Billboard World Albums Chart, #1 on the Top New Artist Albums, and Top 5 Globally on Hard Rock Music Album Charts (US, Canada, UK, and more). They have toured the world extensively, with sold out shows in Europe, the UK, and the United States. Following the success of the The Gereg, which not only debuted at #1 but featured viral rock hits "Wolf Totem" and "Yuve Yuve Yu" reaching Top 10 at rock radio, The Hu are back with new album, Rumble of Thunder, showcased by 6 vinyl color variants globally. This album connects the world to Mongolian culture and it's unique core values of natural preservation and spiritual connection with the earth. These core values are on full display in the new album along with deeply meaningful lyrics uplift that Mongol people, as the band wishes for prosperity and peace among all.
Package Box, CD, Photobook (80P), Envelope, Random Large Photocard (1 of 4), Random Postcard (1 of 4),
Random Instant Films (2 of 8), Random Selfie Photocard (1 of 8), Sticker (1 EA/First Press Only), Poster (1 EA/First
Press Only). Version A is Pink.
The latest full-length from Old 97’s frontman Rhett Miller, ‘The Misfit’, exists in an enchanted dimension all its own. With its elegant blurring of psychedelia, dream-pop & electronic-leaning indie-rock, the Texas-bred singer-songwriter’s 9th solo effort emerged from a charmed collaboration with Hudson Valley neighbor Sam Cohen (Danger Mouse, Kevin Morby). Miller grounds each track with the vulnerable songwriting and unaffected vocal presence he’s brought to the Old 97’s for the last 3 decades.
Perseverance carries us through the most turbulent, traumatic, and trying of times. When all hope seems lost, it shines a light from the inside that’s impossible to extinguish, no matter how hard even the darkest forces try. That light also burns bright at the heart of Gogol Bordello. Since 1999, the band have consistently riled up audiences with an inimitable patchwork of punk, gypsy, dub, folk, Latin swing, and Eastern European magic.
However, the New York-based collective trumpet the spirit of survival louder than ever on their eighth full-length album, SOLIDARITNE. Ukrainian-born band leader Eugene Hutz and Co. linked up with New York underground icon Walter Schreifels [Gorilla Biscuits, Rival Schools, Quicksand] to co-produce the album. Meanwhile, H.R. of Bad Brains guested on “Era of the End of Eras,” blessing the track with a cameo punctuated by a key moment from the Bad Brains anthem “Sailin’ On.” The band also recorded a new version single “Forces of Victory” [feat. Serhiy Zhadan & Kazka]. Dizzying acoustic guitar and violin charge forward at lightspeed before crashing into an uplifting verse kickstarted by fits of electric guitar. The accompanying video juxtaposes footage of the band with real-life scenes of citizens and soldiers in the midst of war in Ukraine shot by a Gogol Bordello crew member.
In the end, Gogol Bordello rally everyone together on SOLIDARITNE.
Ultimate Aaliyah is the second and final compilation album by legendary R&B singer Aaliyah. Originally released by Blackground Records in the UK, Australia, and Japan, and only available on CD, the 2005 compilation features three discs of Aaliyah's greatest hits and material from soundtracks and featured work with labelmate Timbaland. This is the first time the compilation is available on vinyl.
Releasing on September 16, Demon Time signals a deeper period of reflection for Mura Masa. From its whispered introduction – “it’s demon time” – to its messy finish, Demon Time is a journey into the unknowns of the night and the quiet revelations you might stumble across along the way. There is a sense throughout of taking guests (and genres) into unfamiliar places and Mura Masa blurring the boundaries of the artist/producer dynamic into something more curatorial.
Revealer is full of confessions, intimations, and hard truths. It's a warts-and-all self-portrait of a young artist who is full of doubt and uncertainty, yet bursting with exciting ideas about music and life; who has numerous GRAMMY nominations but still feels like she has far to go; who turns those misgivings into songs that are confident in their idiosyncrasies. It's a rumination on music as a vehicle for revelations, what's gained and what's lost when you put words to your innermost feelings.
In the kitchen of the Byron Bay home of Winston McCall stands a refrigerator, adorned on one side by a quote from Tom Waits: “I want beautiful melodies telling me terrible things.”
This, the PARKWAY DRIVE vocalist says, is a pretty good summation of him-self. It holds true, too, as one of the guiding principles behind Darker Still, the seventh full-length album to be born of this picturesque and serene corner of north-eastern NSW, Australia, and the defining musical statement to date from one of modern metal’s most revered bands.
Darker Still, McCall says, is the vision he and his bandmates – guitarists Jeff Ling and Luke Kilpatrick, bassist Jia O’Connor and drummer Ben Gordon – have held in their mind’s eye since a misfit group of friends first convened in their parents’ basements and backyards in 2003. The journey to reach this moment has seen Parkway evolve from metal underdogs to festival-headlining behemoth, off the back of close to 20 gruelling years, six critically and commercially acclaimed studio albums (all of which achieving Gold status in their home nation), three documentaries, one live album, and many, many thousands of shows.
While Darker Still remains irrefutably PARKWAY DRIVE, it finds the band sonically standing shoulder to shoulder with rock and metal’s greats – Metallica, Pantera, Machine Head, Guns N’ Roses – as much as it does their metalcore contemporaries. “I wanted a classic guitar tone for this record,” explains Ling, who credits much of his inspiration to the connection his riffs have with a crowd in a live setting.
Emerging from the darkness of the past few years, this is the true face of PARKWAY DRIVE: redefined and resolute, focused in mind and defiant in spirit.
Since the band's inception in 1992, Built to Spill founder Doug Martsch intended his beloved band to be a collaborative project, an ever-evolving group of musicians making music and playing live together. "I wanted to switch the lineup for many reasons. Each time we finish a record I want the next one to sound totally different. It's fun to play with people who bring in new styles and ideas, " says Martsch. "And it's nice to be in a band with people who aren't sick of me yet." Following several albums and EPs on Pacific Northwest independent labels, including the indie-rock classic, There's Nothing Wrong With Love, released on Sub Pop offshoot Up Records in 1994, Martsch signed with Warner Brothers from 1995 to 2016. He and his rotating cast of cohorts recorded six more great albums during that time - Perfect From Now On, Keep It Like a Secret, Ancient Melodies of the Future, You In Reverse, Untethered Moon, There Is No Enemy. There was also a live album, and a solo record, Now You Know. While the band's impeccable recorded catalog is the entry point, Built to Spill live is an essential force of it's own: heavy, psychedelic, melodic, and visceral tunes blaring from amps that sound as if they're powered by Mack trucks. Now in 2022, Built to Spill returns with When the Wind Forgets Your Name, Martsch's unbelievably great new album (and his eighth full-length)... with a fresh new label. "I'm psyched: I've wanted to be on Sub Pop since I was a teenager. And I think I'm the first fifty year-old they've ever signed." (The rumors are true, we love quinquagenarians...). When the Wind Forgets Your Name continues expanding the Built to Spill universe in new and exciting ways. In 2018 Martsch's good fortune and keen intuition brought him together with Brazilian lo-fi punk artist and producer Le Almeida, and his long-time collaborator, Joao Casaes, both of the psychedelic jazz rock band, Orua. Martsch fell in love with their music the moment he heard it. So when he needed a new band for shows in Brazil, he asked them, and the partnership went so well Martsch, Almeida, and Casaes continued playing together throughout 2019, touring the US and Europe and ultimately recording the bass and drum tracks for When the Wind Forgets Your Name at Doug's rehearsal space in Boise. After Martsch tracked guitars and vocals, they group collaborated from afar to mix the album. What emerged is When the Wind Forgets Your Name, a complex and cohesive blend of the artists' distinct musical ideas. Alongside Built to Spill's poetic lyrics and themes, the experimentation and attention to detail produces an album full of unique, vivid, and timeless sounds, from guitar-driven rock odes to REM and Dinosaur Jr to bluesy '60s-style anthems to dub-reggae-inspired instrumentation. It may have taken us 30 years of obvious fandom and courtship, but on September 9, 2022, Sub Pop Records is unabashedly proud to finally release an excellent new album from Built to Spill: When the Wind Forgets Your Name. Sometimes persistence pays off.
Charley Crockett will release his latest album The Man From Waco on September 9th via Son of Davy/Thirty Tigers. Crockett wrote or co-wrote all 14 songs on the album, and in many ways The Man From Waco is the purest distillation of his artistry to date. What started as a demo session with producer Bruce Robison at Robison’s studio The Bunker outside Austin, TX turned into the first album Crockett has ever made with his band The Blue Drifters backing him from start to finish. Mostly first takes with only a handful of overdubs, The Man From Waco finds Crockett refining his singular “Gulf & Western” sound which continues to captivate an ever-growing legion of fans.
“I just wanted an honest partnership: do it at your place, live to tape, everybody in the room,” Crockett says of the recording experience, and Robison was happy to accommodate. “The magic is in the performances on that tape. That’s what Bruce wanted to do, that’s what I wanted to do. When we were done, I said ‘these are masters, not demos.’”
There’s a loose narrative thread that ties the album together, but at the center of The Man From Waco is Crockett, who continues to trust his instincts and carve out his own singular space. Eschewing the ever-growing siren song of major labels and GRAMMY-winning producers, Crockett is forging ahead as a mostly DIY artist, calling his own shots and giving himself the space to strive for greatness on his own terms.
“Everybody was telling me: ‘go right, go right, go right,’” says Crockett. “I went left. I had to hold on to what has gotten me this far.”
The Man From Waco will be in a record store near you on September 9th on CD, Vinyl, and an indie record store exclusive edition featuring alternate album artwork.
Over the course of the last two decades, Of Montreal's creative force, Kevin Barnes, has been wowing fans with their vast catalog of endlessly fascinating pop and mesmerizing live shows. Barnes' songwriting and production aesthetic has since become iconic in the industry and has garnered massive critical acclaim in publications such as Rolling Stone, The New York Times, NPR, and Pitchfork, who described the band's album, Hissing Fauna, Are You The Destroyer? as "ceaselessly fascinating and inexhaustibly replayable," as well as ranking it as the #5 album of the year. Barnes' influence on pop music is undeniable, with multiple late night TV appearances, including The Late Show With David Letterman and Late Night with Jimmy Fallon, as well as brilliant collaborations with the likes of Solange, Janelle Monáe, Jon Brion, and others. The band has also performed across the globe, with festival appearances at Coachella, Sasquatch!, Pitchfork Music Festival and others, as well as hundreds of millions of streams worldwide. On Of Montreal's latest album, Freewave Lucifer f ck f ck f ck, Barnes continues to push the boundaries of what pop music can be. On songs like "Marijuana's A Working Woman," Barnes revisits themes of psychedelia using pulsating synths over their instantly recognizable bass playing. The album also touches on aspects of gender fluidity and is a fascinating look at what makes Barnes one of the most prolific and creative songwriters making music today. "An astonishingly good late-period record from Of Montreal that's as uncomfortably savage in it's depiction of breakup psychology as it is relentlessly catchy." -Pitchfork (8.7 Best New Music - Hissing Fauna, Are You The Destroyer?)"The thesaurus-loving psychedelic chameleons return with what might be the glammiest groove since the late Marc Bolan shimmied on to the next dimension." -Rolling Stone on Aureate Gloom"[Lousy With Sylvianbriar] is one of the most memorable, lasting, and relatable albums in Of Montreal's extensive catalog, and easily one of the best." -AllMusic"... every year or so Of Montreal is going to release a new full-length of mind-bending glam-punk decadence that sort of blows everything else away." -Paste
Live recording from the soundboard during the Alive II tour at Veterans Memorial Auditorium in Des Moines, IA, on November 29, 1977. Features “Let Me Go, Rock ‘N’ Roll,” “Beth,” and more performed by Paul Stanley, Gene Simmons, Ace Frehley, and Peter Criss.
The Paranoyds are Southern California DIY rock royalty. Fueled by the fiery energy of their live shows paired with raw lyricism and subtle societal commentary, The Paranoyds are unafraid and unapologetically in perpetual pursuit of a good time. The four-piece is made up of Laila Hashemi (keyboardist-vocals), Lexi Funston (guitars/vocals), Staz Lindes (bass/vocals) and David Ruiz (drums, vocals) who together masterfully blend light-hearted playfulness with sharp sincerity over fuzzy guitar, dreamy vocals and punchy, punky rock-n-roll.
Talk, Talk, Talk, the sophomore album from The Paranoyds gives the band space to expand, evolve and above all, have fun. Over 11 tracks, the band experiments with sounds that span an eclectic array of genres–from jazz, to lo-fi punk-rock, to groovy R&B–that melt together showcasing the innovative range of The Paranoyds.
To coincide with the band celebrating their 50th anniversary this year, Roxy Music’s career-encompassing collection from 2001 is available for the first time on vinyl. Containing all of their classic singles including “More Than This,” “Jealous Guy,” “Love Is the Drug,” “Virginia Plain,” and classic album cuts, it’s a definitive testament to one of the most influential and daring artist catalogs of all time. This beautifully presented 2 LP set includes enhanced artwork and full song lyrics.
Patient Number 9 is Ozzy Osbourne’s13th solo studio album and a continuation from 2020’s top 5 release Ordinary Man, once again produced by Andrew Watt. This 13-track project running nearly over an hour long has the most legendary guests ever on an Ozzy Osbourne release. Three tracks alone – “Patient Number 9”, “Degradation Rules”, and “One Of Those Days” – feature Jeff Beck, Eric Clapton, and Tony Iommi (Black Sabbath) respectively, not to mention Josh Homme (Queens of The Stone Age), Mike McCready (Pearl Jam), Chad Smith (Red Hot Chili Peppers), Duff McKagan (Guns N’ Roses), Robert Trujillo (Metallica), Zakk Wylde (Ozzy’s longstanding guitarist from the late 80’s) as well as the late Taylor Hawkins.
Stars and Satellites is an album by Minnesota-based bluegrass group Trampled by Turtles, released April 10, 2012, on their label BanjoDad Records. According to Dave Simonett, the creation of their sixth studio album started in the fall of 2011. Their studio was a log home outside Duluth, where they moved furniture aside, set up microphones and started to develop the album. The album has been on Billboard's bluegrass charts since April 18, 2012. It was also No. 14 on the Billboard Folk Album Chart, and peaked at No. 32 on the Billboard Top 200 Chart.
The limited run 10th Anniversary Edition features Red Vinyl + bonus orange flexi disc with 2 tracks. “Alone feat. Caamp (Live at Red Rocks)” has never been released in physical form and “Stars and Satellites (demo)” has never been released in any format. The latter will be exclusive to this edition and not available digitally.
Grammy-nominated singer/songwriter Julian Lennon releases two powerful new original tracks, “Freedom” and “Every Little Moment.” “Freedom” is a soulful, ethereal track intensified by Lennon's distinctive vocals that provokes an emotional and meditative journey. “Every Little Moment,” is a driving rock track, that not only confronts the wars within, but the ongoing battles we face on the outside. Lennon will continue to release singles, leading into a much anticipated studio album with BMG.
Fun Machine: The Sequel is Lake Street Dive’s second set of distinctive cover songs. While 2012’s Fun Machine paid homage to their classic R&B, soul, and jazz roots, Fun Machine: The Sequel expands the aperture a wider, featuring selections ranging from R&B and pop favorites like Dionne Warwick’s “Anyone Who Had A Heart,” and The Pointer Sisters’ funky “Automatic,” to works by introspective singer-songwriters such as The Cranberries’ gorgeous “Linger,” Carole King’s classic “So Far Away,” Bonnie Raitt’s era-defining “Nick Of Time,” and Shania Twain’s pop-country anthem, “You’re Still The One.”
Multiplatinum artist & EGOT winner John Legend announces his highly anticipated 8th studio album, Legend, out September 9 via Republic Records. The double album features Saweetie, Rick Ross, Muni Long, Jazmine Sullivan, Rapsody, Ledisi, Jhene Aiko, Ty Dolla $ign and more. Executive produced by Legend and Ryan Tedder, this vibrant project is suffused with an unapologetic spirit of sensuality and joy, informed by the vulnerability of pain, praise and healing.
Global entertainer Kane Brown’s highly-anticipated third studio album, Different Man, is set to be released September 9th. The album will feature a total of seventeen songs, including his current hit single “Like I Love Country Music,” his co-produced track, “Whiskey Sour,” his #1 hit, “One Mississippi,” “Leave You Alone,” and the new single, “Grand.” Additionally, the album will include twelve more yet to be revealed songs.
Stranger Things: Soundtrack from the Netflix Series, Season 4 will include key music covering various classic eras and styles as featured in "Stranger Things 4." The soundtrack album is conceptualized and produced by The Duffer Brothers and Nora Felder (Grammy and Emmy nominee Nora Felder has served as music supervisor for "Stranger Things" since the show's inception and was nominated for a Music Supervision Grammy the first year the category was recognized by the Academy of Television Arts & Sciences). The compilation album is produced by The Duffer Brothers and 2x Grammy nominee Timothy J. Smith.
The fifth studio project from the Tedeschi Trucks band, is the most ambitious and, at the same time, intimate record that America's best rock'n'roll big band has ever made: a genuinely epic undertaking in four episodes and 24 songs inspired by classical literature but emotionally driven by the immediate drama, isolation and mourning of the pandemic era.
The fifth studio project from the Tedeschi Trucks band, is the most ambitious and, at the same time, intimate record that America's best rock'n'roll big band has ever made: a genuinely epic undertaking in four episodes and 24 songs inspired by classical literature but emotionally driven by the immediate drama, isolation and mourning of the pandemic era.
The fifth studio project from the Tedeschi Trucks band, is the most ambitious and, at the same time, intimate record that America's best rock'n'roll big band has ever made: a genuinely epic undertaking in four episodes and 24 songs inspired by classical literature but emotionally driven by the immediate drama, isolation and mourning of the pandemic era.
The fifth studio project from the Tedeschi Trucks band, is the most ambitious and, at the same time, intimate record that America's best rock'n'roll big band has ever made: a genuinely epic undertaking in four episodes and 24 songs inspired by classical literature but emotionally driven by the immediate drama, isolation and mourning of the pandemic era.
Delta Spirit has been making music for nearly 17 years and with five albums under their belt they are set to release their follow up record to 2020’s What Is There. One Is One was recorded in southern Vermont and mixed in Texas by Matt Pence (Jason Isbell, Nikki Lane, Paul Cauthen). The album has a distinctly anthemic quality with songs like “Villians” “One Is One” and “What’s Done is Done” inducing goosebumps upon the first listen. Other tracks like “Lottery”, “Ghost of Caddo” and “Thoughts on Seneca” are more quiet in sound and song structure but deliver heavy lyrical messages that capture the listeners attention. One Is One is made for the headphones and the live concert experience.
Born Aaron Livingston, GRAMMY Award winning Son Little unleashes his album Like Neptune never sounding stronger or more confident than now, showcasing his original vision of r&b, informed by his love for hip-hop imbued with tinges of funk, pop, and psychedelia. While Little’s collaborations with The Roots and RJD2 had already helped him make a name for himself by that point in his adopted hometown of Philadelphia, critics on both sides of the pond were quick to recognize the unique power of Little’s solo recordings, which stripped the past for parts that could be reconstituted into something wholly new and original. NPR hailed Little’s “impeccably crafted songs” as “honest and unpretentious,” while The Independent proclaimed him “a formidable talent,” and Vice declared that he was “dissolving the barrier between R&B and rock ‘n’ roll one tearjerker at a time.”
The original motion picture soundtrack to Where The Crawdads Sing features the music of Academy Award-winning composer Mychael Danna and includes the original song, “Carolina,” written and performed by Taylor Swift.
Imagine Dragons - "Night Visions: Expanded Edition" - In celebration of the Imagine Dragons landmark debut album's 10th anniversary, expanded editions of Night Visions will be released on September 9, 2022. The 2 LP set includes the original album, an additional 9 studio tracks and 2 unreleased demos.
Megadeth's new album features 12 new songs from the titans of thrash metal! Produced by Dave Mustaine and Chris Rakestraw, the follow-up to the Grammyr award-winning Dystopia album will melt fans ' minds with songs like "We'll Be Back," the new radio hit "Soldier On!" and "Night Stalkers" featuring Ice-T. Indie Exclusive Deluxe 2 LP on 180-gram vinyl includes a 7" single of "We'll Be Back," b/w an unreleased 2021 live version of "The Conjuring," with lenticular litho. Limited Edition. Deluxe 2 LP/7" Single
YUNGBLUD is the self-titled third album by 24-year-old singer/songwriter and multi-instrumentalist YUNGBLUD (Dominic Harrison). Following the success of 2018’s 21st Century Liability and 2020’s weird!, his third record is simply titled YUNGBLUD: it’s a reclamation of his own narrative and the consolidation of his artistic identity. YUNGBLUD is out September 2, 2022. Indie Exclusive Pink LP.
Capitol Records Nashville presents multiplatinum hitmaker Jon Pardi's fourth studio album, Mr. Saturday Night. The 14-tracks include the singles, "Last Lonely Night," and "Fill `Er Up." Jon says about the album, "A lot of time was spent living with the songs on this record. There is more life experience on Mr. Saturday Night than any album I've released before." It was produced by Jon with Bart Butler and Ryan Gore, the same team behind his award-winning 2019 album, Heartache Medication.
Galerie's forward-facing approach may call to mind a timeless phrase familiar to any jazzhead: The Shape of Jazz to Come. Ornette Coleman's 1959 opus re-configured traditional notions of harmonic structure, it's title and content serving as both a blueprint and open question for progressive music's future. With Dupuis' reverent but revolutionary project, that answer is no longer in the past or on the horizon; it's here.
“Back to Westbeach with Donnel Cameron. I don’t remember that much about this album. Erik had just quit heroin and he was still sick. Two days after we finished, Erik checked himself into a rehab and stayed there for two months. That was 7 years ago and he has been totally sober ever since. Cool. He won’t even eat chicken if it has wine sauce on it. He made it clear that NOFX was more important to him than drugs. Anyway, I don’t remember how long this album took, but I do remember it took me a fuck of a long time to sing. Standard.” - NOFX
Not Just A Girl (The Highlights) features 18 tracks, spanning Shania Twain's illustrious career. Achieving five GRAMMY Awards and three RIAA diamond-certified albums, she has sold over 100 million albums and is one of the best-selling artists of all time. This collection serves as the soundtrack to her 'Not Just A Girl' documentary which includes Shania's biggest hits and fan favorites, "You're Still the One," "That Don't Impress Me Much," "Man! I Feel Like a Woman!" and more, plus one new song.
If you look hard enough, you might just find yourself. However, the search may never be a matter of miles or a series of drastic shifts. Instead, it often happens when you sit still long enough to let yourself be found. UK-born and Los Angeles-based singer, songwriter, producer, and self-professed "chronic overthinker" Luke Sital-Singh has engaged this conversation throughout his prolific career, generating millions of streams in the process. Beyond praise from Guitar, Thank Folk For That, and more, Atwood Magazine raved, "Luke Sital-Singh immerses listeners in an intimate array of emotion set against a refreshing expanse of heartland folk and soft rock," he toured with Angus and Julia Stone, Martha Wainwright, and The Staves and even led his own TED Talk at the official TED Conference in Vancouver. "I'm moved by sad music," he leaves off. "It makes something beautiful out of something painful. It allows listeners to realize they're not alone. I'm at a confusing age where I don't know if I'm doing the right things in my life. I just know I'm Luke, and I made an album."
Mo Troper is truly one of a kind, and that’s never been more apparent than on his fifth full-length, the winkingly titled MTV. Arriving hot on the heels of his 2021 full-length, Dilettante, the album finds the Portland, OR-based power pop extraor-dinaire diving further into home-recorded immediacy to make a record that feels like a strikingly direct conduit to the world of Mo–where heartbreak, hilarity, and hooks all go hand-in-hand.
MTV hurtles through 15 songs in just 31 minutes, with most of the tracks never even coming close to the three-minute mark. The sequence feels like a combination of a fever dream and a travel diary, intertwining tales of romantic long-ing with the ups and downs of cross-country touring. Songs like “Across The USA,” “Royal Jelly,” or “Coke Zero” unravel the headaches and heartbreaks, often alternating between unflinching emotional details and legitimately funny one-lin-ers. “I feel like I’m just in this mode of rebelling against the expectation for artists to be emotionally or aesthetically cohe-sive,” Troper says. “I think about all my favorite records and songwriters, and they’re often these people who would have really depressing stuff and then insane moments of levity that don’t get talked about as much. I want to make music that’s emotional but also campy or sarcastic or resonates in other ways. I’m like, ‘you know what, it’s all me."
"Heartless Bastards’ career-defining album Arrow turned 10 this year, and Partisan is celebrating by re-releasing the LP on black and gold galaxy vinyl. This special edition release will be limited to 2000 copies that have been numbered in gold foil.
Produced by Jim Eno from Spoon, Arrow features Erika Wennerstrom on guitar and vocals, Dave Colvin on drums, Jesse Ebaugh on bass, and Mark Nathan on guitar. This album showcases a band at the height of their powers. They are synthesizing the best of bar rock, Alt-country, classic rock, and the blues into something vital, unfiltered and all their own. The seamless sound achieved on Arrow was the result of 2 years of nearly non-stop touring; on the road the band developed an astonishing musical telepathy, with all four players intuitively able to craft Wennerstrom’s songs into maximum form."
Released in June 1984, Breaking Hearts consolidated the success of the previous year’s 2 Low 4 Zero, which had elevated Elton to the upper echelons of the world’s charts. Replicating the formula of the previous album, it was recorded at AIR Montserrat, with his core players Davey Johnstone, Dee Murray and Nigel Olsson. It contains the much-loved single Sad Songs (Say So Much), Passengers and Who Wears These Shoes.
A Single Man was one of the most eagerly anticipated albums of Elton John’s career. Released two years since his last album, Blue Moves, the Elton John that greeted the world in 1978 cut a sombre, serious figure; working for the first time since 1970 without producer Gus Dudgeon and for the first time since 1967 with Bernie Taupin (the only original album in his career completely with him), A SingleMan yielded two of Elton’s best loved hits, Part-Time Love and the poignant, almost-instrumental closer, Song For Guy.
Buoyed up by the surprise success of Tiny Dancer as a result its appearance in Almost Famous, Elton John enjoyed artistic reinvigoration in the early 21st century by returning to the sound and feel of his early solo albums. Released in September 2006, The Captain and The Kid followed the much-loved Songs From The West Coast and Peachtree Road; his 28th solo album was a direct sequel to the 1975 album Captain Fantastic And The Brown Dirt Cowboy.
Recorded in Atlanta, it picked up where it’s the original left off, and chronicled the lives of Elton and Bernie Taupin across the intervening years. Like its 1975 predecessor, the package contains two booklets – Lyrics and Scraps
Released in November 1995, Love Songs was Elton John’s second CD retrospective of the 90s and built on the enormous success of The Very Best Of, and his first solo UK No 1, Sacrifice in 1990. Collecting 18 of Elton’s best loved ballads, Love Songs reached No 4 in the UK charts and remained in the listings for 48 weeks.
The vinyl version of the release was extremely limited, as a result, copies change hands for three-figure sums. This 2022 edition is presented as an audiophile 180gm double set.
Winnipeg band Living Hour will release their third LP Someday is Today on September 2, the follow up to 2019’s acclaimed Softer Faces. Composed of 11 songs, Someday is Today is the band at their most pensive and longing, with their vulnerable lyrics brought beautifully to life by the lush and generous instrumentation that winds its way through the album. A striking evolution of their sound, illuminated by help of friends, including Jay Som’s Melina Duterte who joins the band on lead single "Feelings Meeting" & mixes half the album.
Recorded over a week in their hometown, the project wrapped up months of electronic and disjointed correspondence necessitated by mandatory lockdownsand punctuated by the harsh Winnipeg climate. Though the process was highly fractured, it breeded creativity and shockingly resulted in a new warmth, which mixes the sometimes-drifting Yo La Tengo-esque patterns of melancholy and the gleaming, earnest splendor of Beach House. The whole thing feels like a cohesive world of soft and gorgeous harmonies, filled with an energy that flourished in spite of everything happening around them.
There is a moment on Sides, the new album from Richmond, Virginia-based duo Lean Year, in which a hospital room floor is filled with white chrysanthemums. This imagery, based on an opiate-induced hallucination experienced by vocalist Emilie Rex’s mother as she recovered from surgery, is a perfect encapsulation of the band’s second album: dreamlike and beautiful, yet burdened with cold, stark reality.Sides is a harrowing journey through realms of grief and memory, a meditation woven into a tapestry of synth pads, woodwinds, and Rex’s instantly recognizable voice.
The duo of Rex and Rick Alverson—who also works as a film director (The Mountain, Entertainment, The Comedy)—originally set out to write an album about conflict, but during the writing and recording process, they were confronted with a number of personal tragedies. Alverson lost both of his parents in rapid succession, Rex’s mother received a cancer diagnosis, and the couple’s beloved family dog, Orca, died. These events transformed the album into an exploration of loss—an attempt at processing the painful, complex, and private emotions that bubble to the surface when confronted with death. “We thought we’d do a concept album called Sides where we could reflect on all of the division in the world, and some in our own families, but then COVID transformed everything/everyone, and we suffered our own specific losses. The record became about loss and grief,” Rex explains. “In this way, the title Sides was still appropriate: our individual grief and collective grief, the margins of before and after, the act and feeling of during and enduring. It felt like straddling a threshold between two opposing sides—the moment before conflict and the moment after it passes, life and death, the act of living and the memory of the act. Grief feels like a contention between what you knew and what you now know, and often both feel real and unreal at once.
”Sides—produced by Alverson alongside Erik Hall (In Tall Buildings) and featuring contri-butions from Elliot Bergman (Nomo, Wild Belle) and Joseph Shabason (Destroyer, The War on Drugs)—has a distinctly cinematic quality, perhaps due in part to Alverson’s other career. Moments of jazz, slowcore, and dirgelike R&B find their way into the sorrowful, ambient suite, lulling the listener into a state of calm while the lyrics speak of ghosts, childhood, and mortality. Despite the gravity of the subject matter, Sides succeeds in mastering a balancing act between pathos and pop. Each song is indelible and haunt-ing, with melodies that have the kind of broad appeal reminiscent of Karen Dalton, Aldous Harding, and FKA twigs.
The sonic tapestry of every RÜFÜS DU SOL record is an exercise in world-building & fantasy; following up 2018’s Grammy-nominated SOLACE is no different. Surrender represents a new chapter in the world the band has been shaping and nurturing since their inception. Built on their own terms as they travel down their own distinct sonic lane, they expertly bridge the gap between their electronic roots and prowess as live musicians. The record demonstrates a bolder and braver sound than they’ve created in the past.
They have established themselves as one of the most exciting new acts without ever even revealing themselves.
Their debut singles, “Motion” and “Personal” immediately created a cult following. The Juice Vol. I and Vol. II have
amassed over 263 million streams globally. In 2021, they released their first collaborative mixtape, The Juicebox.
With features such as Vince Staples, Channel Tres, Kiana Ledé, Becky G and more, the duo reached to shatter
genre boundaries on The Juicebox mixtape.
Golden Years is the latest record from Whigs frontman, Parker Gispert. Golden Years is the follow up release to 2018’s critically acclaimed, Sunlight Tonight. Much like Sunlight Tonight, Golden Years finds Gispert embracing introspective, personal lyrics that also delve into the current social divide while at the same time writing lyrics meant to encourage the listener to get up, have fun and enjoy rock and roll. Musically, the nine-song effort finds Gispert embracing his roots with the familiar sound of the raw and jangly southern-garage rave-ups that his band, The Whigs came to be known for. Golden Years was recorded at Haptown Studios in Nashville, TN with producer Roger Moutenot (Lambchop, Yo La Tengo, Tennis) at the helm.
Thou have a bit of a reputation for doing Nirvana covers, even releasing of a full album of them titled Blessings of the Highest Order during the height of quarantine. The infamously ravenous Thou fans were stuck in their rooms, drinking every drop and begging for more and just their luck the band decided to release a full-length compilation of their non-Nirvana covers they recorded and released from 2009-2022. All of the songs on A Primer of Holy Words appeared on limited pressings of various split EPs and benefit compilations. The range of bands being covered is wide: Pearl Jam and Alice in Chains from abandoned tribute projects; Born Against from a small press European compilation; Ginger Quail, an obscure New Orleans punk band from the late 90s; and so on. Regardless of their standing in the civilian world, all of these bands and songs have had a strong imprint on Thou- much more so than "sludge" or metal in general or "the swamp" of New Orleans. New Noise Magazine described some of the tracks saying "They've got a Black Sabbath 'Sweet Leaf' cover that they've dirtied up to the point where it sounds like a High on Fire original, a blackend-sludge version of Born Against's 'Well Fed Fuck,' a bewitched version of Pearl Jam's 'Spin the Black Circle,' and an appropriately gross and desperate cover of Shellac's 'Prayer to God.' It's as good or better than their Nirvana album imho." And while the mentioned tracks will be on the vinyl version sans "Sweet Leaf" it will have a different track list from 2020's digital release including a cover of the Yeah Yeah Yeah's iconic track "Maps". This collection includes artwork from former New Orleans -now Mexico Cityartist Rachel Speck from her Tropical Goth imprint
Vinyl LP pressing. Includes digital download. 2022 release. Stellar Drifting is 10 tracks of widescreen, futuristic electronic music. With features from the likes of SOAK, London Grammar and Domino's own Panda Bear, Stellar Drifting is George's most ambitious project to date. George keeps his roots deep within the electronic music scene, bringing in pop melodies, club rhythms and other UK dance music elements whilst pushing the boundaries of his sound.
PIXIES / DOGGEREL - VINYL LP - The iconic Pixies forged an influential path for alt-rock during their first era, while their post 2004 reunion has seen them alchemise more sophisticated dark arts - a return which has them add another three UK Top 10 albums to the three they achieved on their first run. Now as fired up as ever before, Pixies will release their eighth studio album 'Doggerel' via BMG, including lead single 'There's a Moon On'. 'Doggerel' is a mature yet visceral record of gruesome folk, ballroom pop and brutal rock, haunted by the ghosts of affairs and indulgences, driven wild by cosmic forces and envisioning digital afterlives where no God has provided one. And all the while, right there on the news, another distant storm approaches.
The vinyl artwork for Metric’s new album, Formentera, includes a motto that sums up the past few years: “This Is What Happened.” It’s an understatement that manages to say everything. This is what happened: pandemic, politics, social unrest, war. This is what happened: a band at the peak of its creative power deciphering the turbulence surrounding us, and blazing a way through it. This is what happened: nine new songs that capture everything essential about Metric —modular synthesis, muscular guitars, locked-in rhythm and shimmering vocals from Emily Haines.
Even real places become imaginary when they are so far out of reach. Named for an idyllic island near Ibiza off the coast of Spain, Formentera is a place that, for Metric, only existed on a page in a “dream destinations” travel book that lay open on a desk in the new recording studio that guitarist Jimmy Shaw built in 2020, in a rural hamlet north of Toronto. This is the setting where the band’s eighth album took shape. Shaw brought on Synthetica collaborator Liam O’Neil as well as longtime friend Gus van Go (The Stills) to co-engineer and co-produce with him. When the border opened, Metric bassist Joshua Winstead and drummer Joules Scott Key came in from the U.S to record, adding live energy and sonic depth to complete the Metric sound.
The result is a conceptual arc that progresses from tension and turmoil to dance-floor abandon, beginning with the edgy ten-minute album opener “Doomscroller,” and progressing through a color wheel of emotions, from determined perseverance on “What Feels Like Eternity” to self-emancipation in full orchestral bloom on the title track as Haines poses the question, “Why not just let go?” There’s a sense of resolution in the very matter-of-fact, deceptively catchy “False Dichotomy,” and the album ends on a melancholy high with “Paths in the Sky,” a love song to lifelong friendship, a thematic companion track to “All Comes Crashing,” an end-of-days banger and the first single.
“This is what we’re all thinking about,” Haines says. “So let’s address it, let’s have this whole expansive emotional experience that can feel collective instead of all going through it alone.”
Formentera is available on standard CD, and a low-priced indie exclusive CD on 7/8. The standard black vinyl, and Indie Exclusive Sky Blue vinyl will be available on 9/30. All formats are available for pre-order today from your local record store.
A lot of people don’t realize that Freddie has actually been in the game for over a decade and came in on the same Freshman XXL cover as Meek Mill, Nipsey Hussle etc…
Yet he was the only one with no major Label Backing or Artist Affiliation and his partnership with Warner is his very first solo Major Label deal.
With that being said, he feels as if he has made it thus far in his career without compromising his morals, Creative Integrity and Principals as a Man all while resisting temptations ….Hence the title “$oul $old $eparately” or $$$
Crazy Times is the brand-new studio album from Sammy Hagar & The Circle – Sammy Hagar (vocals), Michael Anthony (bass), Jason Bonham (drums/percussion), Vic Johnson (guitars). Featuring the title track, "Father Time," "Funky Feng Shui," and more.
2022 release. Written in early 2021, Better By Now features 10 blossoming indie-pop tracks that Brooke describes as a "spectrum of emotions." In her trademark layered approach, Brooke reflects on love, anxiety, and how two seemingly opposing forces can exist at once. "Better By Now is almost 50% about falling in love and 50% about depression and anxiety," she says. "And what that means in my life and how that applies to the world we're in right now."
Double LP on yellow & black marble color vinyl in same packaging as the standard version. Side D is an etching. Full album download included. Ltd Edition. Indie Only.
The never-ending psychedelic web of Kurt Wagner's Lambchop continues to unravel on September 30th with a new album titled The Bible.
The story of The Bible begins with Wagner up in the middle of the night during the first year of the plague, watching his new friend from Minneapolis, Andrew Broder, play a Wurlitzer on Instagram Live. Broder was one in a group of Minneapolis musicians Wagner had met prior to the pandemic through mutual friend Justin Vernon (Bon Iver). After watching the livestream, he called Broder up. “Dude, I’ll get you in a studio,” he says, “you just go in there for like three or four hours and do your thing.” Broder sent him back twelve 20 minute-long pieces. And then Wagner found himself in Minneapolis, in the sweltering summer of 2021, in a decommissioned paint factory turned practice space. Wagner would find an immediate musical spark with Broder & his musical partner Ryan Olson (Gayngs, contributor to Taylor Swift's Evermore). Olson contributes greatly to the album, both with arrangements & production. “Ryan and Andrew, they’re like two sides of my personality,” Wagner says. “And if you put them together as a team, they represent me.” Good thing, because this would be the first time Wagner let somebody else—people who weren’t even from Nashville—produce a Lambchop record.
The music on The Bible is more unpredictable than it’s ever been on a Lambchop record. Jazz careening into country, into disco, into funk, and back to country. All tied together with Wagner’s own voice, born from a perspective on his own life inspired by taking care of his father at the end of his life. The sounds all jumbled together with snatches of observations, words torn from the headlines in Minneapolis—bumper stickers on the freeway, or graffiti from outside that decommissioned paint factory. Through the weeks, musicians (local & non-local) would come & go, putting their own thumbprints on this bible. Perhaps most strikingly, contributions from two different vocal choirs (Bells of the Lakes & Lutheran Bells) & gorgeous string arrangements courtesy of yMusic co-founder C.J. Camerieri (who has also arranged strings for Sufjan Stevens, Antony & the Johnsons & The National).
Shygirl is a multidisciplinary artist from the East London club scene. She has finished her first major body of work, her debut album entitled, Nymph. Written and produced by Shygirl, alongside long-term collaborator Sega Bodega, it features additional production by Mura Masa, Bloodpop, Danny L Harle, and Noah Goldstein among others. The 12-track album is a stunningly innovative and diverse collection of songs exploring themes of friendship, community, escapism, love, and loss. Indie Exclusive Translucent Blue LP.
It could only be called alchemy, the transformative magic that happens during the Yeah Yeah Yeahs’ most tuned-in moments in the studio, when their unique chemistry sparks opens a portal, and out comes a song like “Maps” or “Zero” or the latest addition to their canon, “Spitting off the Edge of the World" (feat. Perfume Genius) — an epic shot-to-the-heart of pure YYYs beauty and power.
A thunderstorm of a return is what the legendary trio has in store for us on Cool It Down, their fifth studio album and their first since 2013’s Mosquito. The eight-track collection, bound to be a landmark in their catalog, is an expert distillation of their best gifts that impels you to move, and cry, and listen closely.
This limited super deluxe edition celebrates George Michael’s iconic album, Older. Written, arranged and produced by George, it sees him exploring new genres as he reflected on life, loss, love and healing. Originally released in 1996, Older spent three weeks at Number 1 in the UK and spawned 6 singles including Fastlove and Jesus To A Child. The album was a huge global success, going 6x platinum in the UK, as well as being verified platinum in another 22 countries.
This stunning deluxe set features Older on double 180g vinyl remastered from original tapes plus Upper, available on vinyl for the first time. It also includes 5 CDs, 3 x 12”x12” art prints and a 12”x12” 48 page book ‘The Story of Older’ with contributions from key people who helped make the album plus rare and previously unseen photos.
Drowning Pool's seventh album, Strike A Nerve, will be released via T-Boy Records and UMe. With over 1 billion streams and over 1 million in album sales, the alternative metal band delivers a headbanging, whiplash-causing collection of songs, two of which ("Strike A Nerve," "Hate Against Hate") have been served up to fans on recent live dates with a massive positive response. Available on 180-gram vinyl.
On dear amelia, renforshort narrates an up-close and thrillingly honest journey through the darkest parts of her psyche. Her debut album spans twelve tracks and includes recent songs “moshpit” and “we’ll make this ok” featuring Travis Barker. Indie Exclusive Clear LP.
Forty years after the Summer of Love (and 30 years after the Summer of Hate), MGMT is celebrating the grand re-opening of the third eye of the world with Oracular Spectacular, an enigmatic and prophetic collection of hallucinatory sounds and hook-riddled Pop tones for the new millennium.
MGMT is: Andrew Vanwyngarden and Ben Goldwasser, two psychic pilgrims whose paths first intersected in the green pastures of Wesleyan University in Middletown, Connecticut, circa 2002. The pair was drawn to the music of other duos and found themselves incorporating the implications of the hallucinatory power-twee of the Incredible String Band, the roaring subway minimalist Electronica of Suicide, the silky Pop-Soul of Hall & Oates, the pulsing narcotic trance of Spacemen 3, the avant-garde Industrial romanticism of Royal Trux and much more into the constantly evolving sounds of MGMT.
Nonesuch releases Philip Glass’s award-winning soundtrack to The Hours on vinyl for the first time on September 30 to coincide with its 20th anniversary and Glass’ 85th birthday concert season. Originally released in December 2002, Glass’s score to the Academy Award-winning film was itself nominated for an Academy Award, as well as a Golden Globe and a Grammy, and went on to win a BAFTA and a Classical BRIT.
Directed by Stephen Daldry, The Hours is the story of three women searching for more potent, meaningful lives. Based on Michael Cunningham’s 1999 Pulitzer Prize–winning novel, with a screenplay by David Hare, the film interweaves the stories of three women – a book editor in New York (Meryl Streep), a young mother in California (Julianne Moore), and the author Virginia Woolf (Nicole Kidman). Their stories intertwine, and finally come together in a surprising, transcendent moment of shared recognition.
Philip Glass’s score was conducted by Nick Ingman, with Michael Reisman on piano and the Lyric Quartet, and recorded at Abbey Road Studios and Air Studios, London. The score was a key element in this acclaimed triptych of dramatic tales. “The inter-cutting of personal stories over a wide span of time,” said NPR, “is held together by a single music approach.”
Growing up in his hometown of Atlanta, artist/producer Sol Messiah has always been inundated with the rich and energizing spirit of Hip Hop culture. Breakdancing from a young age eventually led him joining the legendary Rock Steady Crew out of New York City and learning and mastering the skill of DJing. From there, he began taking an interest in production too, which ultimately led him to working alongside legendary Atlanta producer, Dallas Austin. While Sol Messiah's time with Austin created a deep catalog filled with timeless tracks for TLC, Madonna, Boyz II Men and more, he eventually chose to pursue his own path independently and spent years building a stunning catalog of his own, producing popular tracks for Chamillionaire, David Banner, Nappy Roots, Dead Prez and more.
Soon, Sol Messiah would embark on a fruitful musical partnership with a fierce lyricist named Sa-Roc. Together, Sa-Roc and Messiah have released over a dozen projects thus far, including Sa-Roc’s groundbreaking 2020 debut on Rhymesayers Entertainment, The Sharecropper’s Daughter. As a duo, Sa-Roc and Sol Messiah have amassed a global reach, touring internationally and rocking crowds across continents. They have performed at the legendary Jazz Cafe in London, performed live for BBC, and have shared the stage with luminaries such as Common, The Roots and Jay Electronica.
On GOD CMPLX, Sol Messiah connects with some of the finest MCs in the game to create an impressive collection of Hip Hop music that's both innovative and inspiring. Featuring guest performances from KXNG Crooked, Sa-Roc, Evidence, Locksmith, Slug(Atmosphere), Murs, Aesop Rock, Baba Zumbi(Zion I), Che Noir, Lyric Jonesand more, GOD CMPLXis a powerful and engaging project serving as a testament to Sol Messiah’s skills both as a producer as well a visionary.
2022 release. Songwriter is the thirteenth studio album by singer/songwriter and record producer/arranger Richard Marx. Songwriter features songs in four different genres of music: pop, rock, country, and ballads.
With The Will To Live, Titus Andronicus invite listeners on a journey from fear to faith, from anger to acceptance, from grief to gratitude, all chasing the mythical ideal of Ultimate Rock. Drawing on maximalist rock epics from Who's Next to Hysteria, the band have crafted their richest, densest, and hardest-hitting album to date, matching the sprawl and scope of their most celebrated work while also streamlining their ambitious attack to greater effect than ever before.The Will to Live was produced by Titus Andronicus singer-songwriter Patrick Stickles and award-winning Canadian producer Howard Bilerman (Arcade Fire, Leonard Cohen, The Whole Nine Yards) at the latter's hotel2tango recording studio in Montreal. "It may strike some as ironic we had to go to Canada to record our equivalent to Born in the USA," says Stickles, "but the pursuit of Ultimate Rock knows no borders."The album comes packaged with gorgeous triple gatefold artwork by illustrious illustrator Nicole Rifkin.
Nonesuch Records releases the first recordings of Steve Reich’s Runner (2016) and Music for Ensemble and Orchestra (2018), performed by the Los Angeles Philharmonic and conducted by Susanna Mälkki, available on CD on September 30, 2022; a vinyl LP version will be released on December 2.
Reich says Runner is written “for a large ensemble of winds, percussion, pianos, and strings. While the tempo remains more or less constant, there are five movements, played without pause, that are based on different note durations. First, even sixteenths, then irregularly accented eighths, then a very slowed-down version of the standard bell pattern from Ghana in quarters, fourth a return to the irregularly accented eighths, and finally a return to the sixteenths but now played as pulses by the winds for as long as a breath will comfortably sustain them. The title was suggested by the rapid opening and my awareness that, like a runner, I would have to pace the piece to reach a successful conclusion.”
“Music for Ensemble and Orchestra is an extension of the Baroque concerto grosso where there is more than one soloist,” the composer continues. “Here there are twenty soloists—all regular members of the orchestra, including the first stand strings and winds, as well as two vibraphones and two pianos. The piece is in five movements, though the tempo never changes, only the note value of the constant pulse in the pianos. Thus, an arch form: sixteenths, eighths, quarters, eighths, sixteenths. Music for Ensemble and Orchestra is modeled on my Runner, which has the same five movement form.”
Limited pink colored vinyl LP pressing. 2022 release from the New Jersey-based post-hardcore band. Hell Is In Your Head is the follow-up to 2018's If There Is Light, It Will Find You. The album was co-produced by SAOSIN's Beau Burchell and features the first single "I'm Sorry I'm Leaving".
Since emerging in 2009, YG has projected the voice of the streets into the mainstream leaving his mark as a
rapper, actor, entrepreneur, designer, and philanthropist. The Compton-native has garnered over 12 billion streams,
a dozen platinum and gold certifications, and various honors. He has landed 4 consecutive Top 10 debuts on the
Billboard 200 Albums chart and returns with his 6th studio album, I GOT ISSUES.
The Beach Boys “Sail On Sailor“ collection celebrates the landmark 1972 albums “Carl And The Passions” and “Holland.” This 5LP set features a 38-page book with extensive liner notes, rare photos and more. The collection includes remastered versions of the original albums as well as a previously unreleased concert from Carnegie Hall recorded in 1972. It has 4 previously unreleased additional tracks and includes the original “Mount Vernon and Fairway” 7inch EP from Holland, unavailable on vinyl since the 1970s.
25-year anniversary deluxe reissue of Mood’s seminal debut record, Doom, originally released on September 23 of ’97. Included here on this anniversary reissue is the J Dilla Remix of “Secrets of the Sand” along with some nice album packaging; matte finish, alternate cover and black flooded jacket pockets/black dust sleeves, 180 gram vinyl.
Detroit underground rap staple Quelle Chris will be releasing his new album "Deathfame" on 12/2. It features appearances by Navy Blue, Pink Siifu, Denmark Vessey, Cavalier, J Jig Cicero, and Moruf, and was largely produced by Quelle Chris himself, with contributions from Chris Keys on multiple tracks and Knxwledge on one track.
In the era of Ganser’s Just Look At That Sky delightfully descended on the world in July of 2020, I do admit that I mostly did find myself looking skyward, though that looking was often colored by an ever-present anxiety. My city was coming apart and maybe your city was coming apart too. Maybe atop the buildings of your downtowns there were guns, and men in fatigues. Maybe in front of the libraries, there were tanks, maybe in front of the food banks, there were army patrols. And yet, maybe you found an album or some tunes that reflected the times, which means both everything and nothing at all now, as time fractures into small, elastic shapes, some jagged, some joyful. An album of a moment must require malleability – songs that hold several songs within them.
Ganser is back with a couple of tunes that will anchor spring through fall, a project called Nothing You Do Matters (produced by Liars' Angus Andrew) and the songs are full, biting, sweet and relentlessly tongue-in-cheek. What propels Ganser as a band, for me, is what shines here: their performance of joyful apathy so often has many other moving parts underneath that suggest that they are a band of deep caring, simply unsatisfied with the hands they’ve been dealt by the world. The dark humor seeped into the apathy is the central and most visual part of the magic trick, but it isn’t the trick itself. It is the disappearing bird or rabbit, that which returns safely to the open palm in order to distract an audience from everything else unfolding during its disappearance.
On July 1, his birthday, Sufjan Stevens is releasing two alternate versions of his song, “Fourth of July”.
Both versions were recorded around 2014: “Fourth of July (April Base Version)” was recorded in Eau Claire, WI at Justin Vernon’s April Base studio, and “Fourth of July (DUMBO Version)” was recorded in Sufjan’s old studio in Brooklyn, NY.
The original version of “Fourth of July” appeared on Sufjan’s 2015 album, Carrie & Lowell. As is (and was) his custom, Sufjan would often rework different versions of his songs while recording an album, and “Fourth of July” was no exception. (Other versions & remixes of the song were released on “The Greatest Gift” mixtape and on the “Exploding Whale” 7” single.)
These two latest versions were recently found on old hard drives. The refrain of the song, “We’re all gonna die,” invokes a meditation on human mortality and fragility, even as it acts as an anchor of stoic hope. Its solemnity invites listeners to feel comfort, connection — even joy — wrought from great pain and loss.
The song has recently had a resurgence with listeners — which may speak to a deep national grief and sense of loss.
This 7-inch in red will ship in December 2022, which marks the 10-year anniversary of Carrie’s death.
Thirty years in the making, the Backstreet Boys are back with their first ever holiday album “A Very Backstreet Christmas”! Features classics like “I’ll Be Home For Christmas”, “Last Christmas”, “Silent Night” and new future holiday mainstays like “Christmas In New York,” “Together,” and “Happy Days.”
Having started her professional career outside of her home of Zambia, Sampa The Great returned at the beginning of the pandemic to Africa. As Above, So Below is the result of this return to her roots, embracing the sounds and themes of her origins. Sampa has reconnected with a different side of herself, one closer to the younger artistry that was nourished growing up. Now, in an age of authenticity, meet a 360 Sampa, a higher version of herself. No mask on, or role to play.
Elvis On Tour is a 6 CD + 1 Blu-ray box set comprised of the audio from four of the shows (and two rehearsals) that were part of Elvis’ 1972 North American tour. Originally recorded for the Elvis On Tour concert film that was released later that year, the set features a total of 145 tracks, including 91 tracks that have been previously unreleased, as well as the award-winning concert film on Blu-ray.
Celebrating 30 years of global hits, High Times: The Singles 1992-2006 will be made available on vinyl for the first time including the single ‘You Give Me Something’ omitted from the CD release. The “standard” vinyl format includes a double heavyweight 180g black vinyl, a gatefold sleeve and printed inner sleeves.
Celebrating the 10th Anniversary of Esperanza Spalding’s GRAMMY Award winning 4th album, Radio Music Society comes this 180-gram Gatefold 2-LP edition. Featuring the singles “Black Gold” and “Radio Song”, Radio Music Society earned Spalding her second GRAMMY Award, for Best Jazz Vocal Album, and is a companion to her album Chamber Music Society. The album features guests including Q Tip, Terri Lyne Carrington, Jack DeJohnette, Joe Lovano, Lionel Loueke, Lalah Hathaway, Gretchen Parlato and more.
Supercell’s Live Vol. 1 encapsulates the adventurous spirit of the trio, letting the music develop naturally. Original compositions sit comfortably alongside standards and modern pop tunes, a mixture of intricate arrangements and spontaneous explorations. Playing for a supportive audience at an artist-friendly space, Adam Meckler, Brian Courage and Andrew Green dig into a wide dynamic range, reaching a quiet vulnerability that one might not expect to hear from a chordless trumpet trio.
One amp. One mic. One person. Countless hooks. That’s the Dazy formula. Since first releasing the single "Bright Lights b/w Accelerate" in August 2020, Dazy mastermind James Goodson has been writing, recording, and releasing new music like a man on the hunt to find the best pop hook, and he won’t stop until he’s put all of them into his songs. Showcasing a unique set of influences, Dazy’s sound marries thumping drum machine beats, blasts of feeding back guitar, and sugar-sweet hooks into something that sounds like Godflesh covering Oasis—or maybe the other way around. With lean songwriting that recalls Teenage Fanclub but a home-recorded production style better suited for Big Black, Goodson builds a constant churn of abrasive, consuming noise and then makes it catchier than anyone else would ever dare to.
Dazy released two EPs, Revolving Door and The Crowded Mind, in 2021, the latter of which landed on Stereogum’s ‘25 Great EPs From 2021’ list.’ Ever-prolific, all of those songs and more appeared on Dazy’s August 2021 collection, MAXIMUMBLASTSUPERLOUD: The First 24 Songs (Convulse Records), which was also included on multiple year-end lists such as Paste’s ‘50 Best Albums of 2021’ and ‘40 Best Rock Albums of 2021,’ and The Alternative’s ‘50 Top Records of 2021’—in addition to garnering praise from Stereogum (“...sticky, fuzzy, overwhelmingly catchy power-pop, and it’s got hooks for days”), Bandcamp Daily (‘New & Nota-ble’), and MAXIMUMROCKNROLL (“Absolutely ridiculous ‘90s college rock hook-laden pop”), among others.
This is Archeology, the astounding debut album from Montparnasse Musique is wrapped in striking visuals and
finds the live rhythms of traditional and urban Africa meeting the programmed beats of modern Johannesburg. It
features Congolese musicians including singer/multi-instrumentalist Cubain Kabeya, singers Muambuyi, and Mengu
Waku, and guitarist Mopero Mupemba, variously from Congotronics acts such as Mbongwana Star, Konono No1,
and the Kasai Allstars. (Real World Records)
First ever vinyl version of the final Queensrÿche release to feature founding vocalist Geoff Tate! This album features the heaviest Rÿche ever, including original vocalist Geoff Tate, bassist Rudy Sarzo (Quiet Riot) and drummer Simon Wright (AC/DC) PLUS guest appearances by K.K. Downing (Judas Priest), Chris Poland (Megadeth), Ty Tabor (King's X), Paul Bostaph (Slayer), Brad Gillis (Night Ranger), Dave Meniketti (Y&T) and more! This deluxe version includes 4 re-cut classics as well as highlights from the remix and rearrangement done by producer Billy Sherwood!
Revered indie trio The Staves' debut album 'Dead & Born & Grown' is celebrating its 10th Anniversary and to celebrate the album will be released on recycled coloured vinyl.
Produced with Glyn and Ethan Johns, who have worked with a plethora of artists from past and present between them, including The Beatles and The Rolling Stones to The Vaccines and Kings of Leon, 'Dead & Born & Grown' saw the Staveley-Taylor sisters receive huge critical acclaim and set them on the way to becoming on of the UK’s most celebrated indie exports finding huge acclaim throughout the world.
This special-edition recycled vinyl is made from 100% PVC recycled material, using waste material and clippings from previous record pressings. The result is that each vinyl is unique with its own colour combination.
Flocked blacklight glow in the dark cover jacket, discobag and neon magenta vinyl.
When two artists as esteemed & talented as Apollo Brown & Stalley come together, they shine, even in the dark. “Blacklight” represents the combination of two titans of hip-hop, both largely recognized as legends in their own right while also being overlooked by some when the discussions of “best alive” come up.
Downtown Records present, The Bird Song Project "For The Birds: The Birdsong Project". An art-filled, 20LP box set including over 200 tracks of original music and bird-related poetry. Proceeds from the sale of this collection and supporting events will be dedicated to the protection of birds and the habitats they need, today, tomorrow, and for all our futures. Specifically it will go to the National Audubon Society.
The Birdsong Project is a community dedicated to the protection of bird life, and to the celebration of the joy and mysteries of birdsong. We believe that birds - no matter feather or flock - are precious and inspiring and fundamental to our world. That a world without birds would be a world without freedom and flight and song. We believe birds matter, are endangered and need our help.
Recorded at Ardent Studios and released in 1972, the album has gone on to become one of the most influential and iconic debut albums of all time. This 50th-anniversary edition is pressed on 180-gram metallic gold with purple smoke vinyl and features all-analog mastering by Jeff Powell at Take Out Vinyl. The album has been included in Rolling Stone’s 500 Greatest Albums of All Time, with the song “Thirteen” featured in its 500 Greatest Songs of All Time.
Indie Exclusive * 25th Anniversary * Previously long out-of-print, this classic sophomore album by one of the greatest ska bands ever was given a proper treatment for its 20th anniversary. This is a must-have for any Slackers fan, regardless of whether you own the original or not. Remastered for vinyl, “Redlight” never sounded as good; and with a two-color foil stamped cover, exclusive art-print insert, and lyric sleeve, it’s never looked so good either! Originally released by Hellcat Records in 1997, this album truly solidified the Slackers’ iconic sound, blending ska, reggae, soul, jazz and dub, seamlessly, with the passion and integrity that the band has embodied. Whether you’re a new fan, or an old diehard, and whether you pick it up at the band’s merch table, your local record store, or your favorite online retailer, this brilliant re-issue is not one to pass up.
Long on style and perpetually short on cash, bounty hunters Spike, Jet and Faye trawl the solar system looking for jobs. As the crew of the Bebop, they make up a ragtag team that chases down the galaxy's most dangerous criminals. They'll save the world... For the right price!
Yes, Cowboy Bebop (Soundtrack from the Netflix Original Series) is now available on vinyl! Yoko Kanno and the band SEATBELTS, the artists behind the music in the original anime series of Cowboy Bebop, have returned to bring their signature dynamic, jazzy sound to the Netflix live action show. The resulting compositions are characters themselves - constant companions to the crew of the Bebop and brimming with just as much personality.
Cowboy Bebop (Soundtrack from the Netflix Original Series) is a treat for Bebop fans in an additional way - it features over twenty new tracks only available on vinyl! This wide release is pressed on red/orange marble vinyl discs in a gatefold jacket with printed inner sleeves.
In keeping with the tradition of Julia Quinn’s novels, Bridgerton Season Two tells the romance story of Lord Anthony Bridgerton’s quest for love. Duty, desire and scandal collide when he decides to marry, only to meet his match in his intended bride’s headstrong big sister. Bridgerton Season Two (Soundtrack from the Netflix Series) features Kris Bowers’ score who previously worked with Shondaland on For the People.
Iconic Grammy Award-winning singer, songwriter, Oscar-nominated actress, producer and philanthropist, Mary J. Blige is a figure of inspiration, transformation and empowerment making her one of the defining voices of the contemporary music era. With a track record of eight multi-platinum albums, nine Grammy Awards (plus a staggering 32 nominations), two Academy Award nominations, two Golden Globe nominations, and a SAG nomination, among many other accolades, Blige has cemented herself as a global superstar. And in the ensuing years, the singer/songwriter has attracted an intensely loyal fan base—responsible for propelling worldwide sales of more than 50 million albums. Blige’s 15th studio album “Good Morning Gorgeous” resonates with female empowerment anthems, soulful torch songs, and energetic tracks including the singles “Amazing (feat. DJ Khaled)”, the title track “Good Morning Gorgeous, and “Rent Money (feat. Dave East)”. The album release led into a historic performance at the Pepsi Super Bowl LVI Halftime Show at SoFi Stadium in Inglewood, CA alongside Dr. Dre, Eminem, Snoop Dogg and Kendrick Lamar on February 13th, 2022.
The story of Ritual Howls begins in a southwest Detroit basement in the early winter of 2012. Singer/guitarist Paul Bancell had been writing and performing solo as well as in several bands and was looking for collaborators for a new project. Ben Saginaw (bass) and Chris Samuels (synths, drums, drum machines) were acquatances that became natural fits. With the help of a friend (Jeff Navarre), they recorded their first full-length in Ben's art studio using a laptop. Paul tracked vocals at home in his bedroom and, not wanting to relinquish control, mixed and mastered the album himself. A formidable introduction to the band's haunting, cinematic blend of twangy industrial rock, their self-titled album established the band as a unique force in the landscape of dark music, both past and present. Separated by a decade, four LPs, two EPs later, Ritual Howls is an impressively cohesive first effort and testament to the band's vision that, even in its infancy, forged a distinct sound that has only matured with perfection over time.
Originally released in 2005 and never before released on vinyl, this "25 Years of Twiztid" version of Mutant, Vol. 2 is the first in a series of albums to be re-released as a celebration of Twiztid's 25 years as a band. This limited edition, double LP is available on solid white vinyl with transparent blue A side/B side effect.
Making their big screen debut, the ever-relatable Belcher Family faces an all-new catastrophe in this bold, brassy and bone-dry murder-mystery comedy adventure. With plenty of hilarity, heart and show-stopping musical numbers, The Bob’s Burgers Movie will deeply satisfy fans, while serving up a tasty treat for new adventures.
A brand new strictly limited edition BLACK triple vinyl box set. The complete INSIDE collection, totaling 46 tracks. Contains the original 20 songs from theGRAMMY™ and EMMY™ Award-winning special, 13 tracks from THE INSIDE OUTTAKES, and 13 score tracks. All housed in a stunning box including 3 dual-cover LP jackets with printed inner sleeves and individual RGB translucent outer sleeves. Also includes a beautiful 24 page lyric book, a 12x12 art card and 3 INSIDE window clings.
The original soundtrack from the first Jason Bourne film, The Bourne Identity is being re-released on LP in timing with the 20th anniversary of the film. The movies have earned an incredible 1.67 billion dollars globally at the box office. John Powell is an accomplished film composers well known for his tremendous scores for animated films, including Shrek, and the Oscar nominated How to Train Your Dragon. His successful action films including the Grammy nominated Solo, and the Bourne franchise
Get your limited edition of the Almost Famous The Musical - 1973 Bootleg EP vinyl featuring four songs from the upcoming Broadway musical with music by Tony and Pulitzer Prize winner Tom Kitt and lyrics by Oscar Winner Cameron Crowe and Kitt. Starring Chris Wood, Solea Pfeiffer and Casey Likes, Almost Famous The Musical is an adaptation of Cameron Crowe’s beloved Academy Award and BAFTA-winning film and opens on Broadway November 3, 2022.