Blues & Jazz
Vinyl: $75.98 PREORDER
Drummer, composer, and producer Tom Skinner who is the drummer for The Smile and Sons of Kemet releases his new album, Voices of Bishara, on November 4, 2022, via Brownswood / International Anthem / Nonesuch. The first recording under Skinner’s own name is a reference to an album he listened to repeatedly during the COVID-19 lockdown: cellist Abdul Wadud’s 1978 solo album By Myself, which was privately pressed on Wadud’s label, Bishara. The common Arabic name has the intention or meaning of “good news” or “the bringer of good news.” Voices of Bishara began life when Tom Skinner asked some musician friends to join him for a Played Twice session at London’s Brilliant Corners. These regular sessions had a simple format: play a classic album in full through the venue’s audiophile system and then have a live ensemble improvise a response. The night in question focused on drummer Tony Williams’ 1964 Blue Note album, Life Time, and the music conjured that night inspired Skinner to write an album’s worth of new music. Skinner recorded an album of that music with a cellist, bass, and two saxophonists subsequently putting it aside, occasionally bringing it out for some attention in between his many other creative projects. Gradually, the record began to take shape as he embraced the studio recordings and accentuated their idiosyncrasies.
“Orange And Blue” was first released in 1994 and is a remarkable testament of Al Di Meola’s unique sense of swing. The legendary guitarist recorded the album on the “Al Di Meola Jazz Guitar”, a custom hollow-body guitar designed in collaboration with Gibson, which allowed him a warmer tone to add to his established signature sound. The album itself is a tasteful collection of explorative compositions, with standout songs such as ‘Chilean Pipe Song’ further cementing Al Di Meola’s growth as a versatile writer and gifted guitarist.
Searching In Grenoble: The 1978 Solo Piano Concert is a previously unissued recording of jazz icon Mal Waldron's mesmerizing performance at the "Five Days of Jazz" series in Grenoble, France on March 23, 1978. Waldron was Billie Holiday's final accompanist, played with John Coltrane, Charles Mingus and Jackie McLean, and recorded dozens of solo albums before his passing in 2002. The beautifully designed, deluxe 2-CD set includes photos, an extensive 24-page booklet, essays and interviews.
BADBADBADNOTGOOD is the talented young quartet of Matthew Tavares on keys, Chester Hansen on bass, Alex Sowinski on drums & Leland Whitty on saxophone. They formed and became inseparable friends at Humber College's Music Performance program in 2011 and have been on a critically acclaimed, rule bending musical journey ever since. BBNG took the music world by storm with their 2014 LP, III, a brash yet refined record of angular jazz improvisations, lush ballads, kraut rock, & futuristic hip-hop tinged rhythms which led to a couple years of touring the world & collaborating with some of the best and brightest artists around the globe The boys are back with the new album IV, their most impressive and highly anticipated project yet. IV continues their forward thinking progression, sounding something like a jam session in space between Can, John Coltrane, Herbie Hancock's Headhunters, Weather Report, Arthur Russell & MF DOOM. With tracks like "Time Moves Slow" featuring haunting vocals from Sam Herring of Future Islands, the syncopated groove of "Lavender," a collaboration with Montreal based producer Kaytranada, the rumbling fusion build of "Confessions Pt. II" featuring Colin Stetson on the bass sax, "Love" which is highlighted with smokey left field raps from Mick Jenkins & the epic chords of "Speaking Gently," IV is an exploration in post-genre virtuosity. Out Summer 2016 on Innovative Leisure Records, BBNG prove yet again that the possibilities & discovery in their musical quest are infinite.
The members of the legendary original 1990s Joshua Redman Quartet—Redman (saxophone), Brad Mehldau (piano), Christian McBride (bass), and Brian Blade (drums)—reunited after twenty-six years for 2020’s RoundAgain; they return now with LongGone, featuring six original songs by Redman, due September 9, 2022 on Nonesuch Records.
RoundAgain, the group’s first recording since 1994’s MoodSwing, debuted at No. 1 on the Current Traditional Jazz Albums chart in the US and at No. 1 on the Jazz & Blues chart in the UK. The album received two Grammy nominations. NPR called it “a flawless effort,” stating that the four musicians have “only gotten better in that time” and are each “at the very top of his game now.”
This special 60th Anniversary reissue of groundbreaking jazz artist Sun Ra’s iconic 1962 album The Futuristic Sounds of Sun Ra features all-analog re-mastering by Kevin Gray at Cohearent Audio. The package includes Tom Wilson’s original liner notes, plus insightful new essays by jazz historian Ben Young, as well as by Irwin Chusid, who is also a journalist, radio personality, and author.
Four-time GRAMMY nominee, multi-platinum selling saxophonist Boney James’ new album Detour marks his 18th release as a leader. Following the success of his 2020 album Solid (#1 Billboard Contemporary Jazz Chart and #10 Billboard Top Albums), Boney’s new record showcases ten original tracks including “Coastin’” featuring iconic vocalist Lalah Hathaway. Also featured is trumpeter Dontae Winslow, known for his work with the West Coast Get Down.
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Hi-Tide presents Charlie Halloran & The Tropicales’ debut album, Shake the Rum, featuring 11 scorching ’50s
numbers from Trinidad, Martinique, Guadeloupe, and Venezuela given the New Orleans treatment. These classic
calypsos, biguines, and waltzes are guaranteed to melt the ice in your Mai Tai and set the vibe at your next pool
party. Indie Exclusive Pink LP. Limited Edition.
Vinyl: $24.98 PREORDER
Butcher Brown’s new album Presents: Triple Trey (featuring Tennishu and R4ND4ZZO BIGB4ND) will be released on September 16, 2022. The inspiration for this album comes from Tennishu’s solo album Triple Trey released in May 2019. Shortly after, Tennishu and R4ND4ZZO came up with the idea of performing the album live with Butcher Brown and a big band. The performance received such an enthusiastic response from the audience Butcher Brown decided it must be recorded. So, in August of that same year, the band stepped into Minimum Wage Studios in Richmond and began laying down what would become Butcher Brown Presents: Triple Trey (featuring Tennishu and R4ND4ZZO BIGB4ND). The result is a groundbreaking fusion of rap and big band. There’s nothing like it.
That’s What Happened 1982-1985: Bootleg Volume 7 is the next installment in the celebrated, award-winning archival series that began in 2011, shining an in-depth light onto different eras of the legendary career of Miles Davis. In the 1980s, popular music had moved to a smoother, electronic-based sound that traded the steam of previous years for subdued arrangements meant to elicit peace and deep reflection. Miles Davis embraced this era, pulling inspiration from FM radio and an upstart music video channel called MTV. He was searching for the next frontier, letting his creativity roam. This music on The Bootleg Series Vol. 7 captures that exploration, and finds Miles beginning to re-emerge in a creative landscape far different than the one he left in 1975. He’s touched every inch of pop culture while keeping true to his iconoclastic vision of jazz as amorphous art that’s supposed to bend and flow and mutate to something else. On The Bootleg Series Vol. 7, we get to play in the rubble of what would become yet another period of unprecedented innovation. Beauty resides in evolution. This double LP collects highlights of Bootleg Volume 7 with over 80 minutes of unreleased studio material from 1982 to 1985 on white vinyl. Side men include a multi-generational who’s who of jazz talent from JJ Johnson, Al Foster and John Scofield to Mike Stern, Marcus Miller and Daryl Jones.
A lifelong fan of Doc Severinsen, trumpeter Steve Patrick steps into the spotlight, leading an all-star big band orchestra on such classics as "Stardust," "Stompin' at The Savoy," and "Unforgettable." A graduate of Indiana University's acclaimed jazz studies program, he has appeared on over 4,000 recordings including those of Carrie Underwood, Marc Broussard, Elton John, Norah Jones, and many more. His live performances include stints with Paul Simon, Aretha Franklin, Larry Carlton, and others.
On March 15, 2018, legendary saxophonist, composer and jazz mystic Charles Lloyd celebrated his 80th birthday at The Lobero - his hometown venue in Santa Barbara, CA. He was joined by an unprecedented group of musicians including guitarist Julian Lage, pianist Gerald Clayton, bassist Reuben Rogers, and drummer Eric Harland. 2 LP set with 28-page 12 x 12" book.
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Ella Fitzgerald's "Songbook" records - with her peerless renditions of the best songs from iconic composers from Irving Berlin to Rogers & Hart to Cole Porter to George & Ira Gershwin - are the cornerstone of the Verve catalog and the standard for jazz vocal recordings. Ella never released a live version of these Songbooks. This record, discovered in the private collection of Norman Granz, will make the first time a live Songbook has been released from the First Lady of Song.
For decades, the voice of Jean Carne has been a crucial part of the American musical landscape, tying together generations of Jazz, Gospel, and R&B artists. As a solo artist, backing vocalist, and vocal coach, she has contributed to and collaborated with the likes of Norman Connors, Doug Carn, Dexter Wansel, Phyllis Hyman, Lonnie Liston Smith, Michael Jackson, and many more. At 74, she shows no signs of slowing down. Many will recognize Carne from her output in the early 1970s, alongside her then-husband Doug Carn, for the lauded Black Jazz label. During this era of afrocentric creativity, the duo's output found themselves at the nexus of jazz's tectonic past decade and the fertile ground ahead. Without the constraints of genre or structure, artists such as Carne, on her Black Jazz output as well as on the saxophonist Azar Lawrence's 'Bridge Into The New Age' and percussionist Mtume's 'Rebirth Cycle', began to explore and re-interpolate, continuing the tradition of jazz music as a mode of reinvention, repurposing, and reimagining.
CD: $29.98 Buy
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Norah Jones’ seminal debut album, Come Away With Me, became a global phenomenon reaching #1 in 20 countries, selling nearly 30 million copies, and sweeping the 2003 GRAMMY Awards with 8 wins including Album of the Year, Record of the Year, Song of the Year, and Best New Artist. The remastered 20th Anniversary Edition captures the emergence of a singular talent on this now-classic album.
Vinyl: $31.98 Buy
Vinyl: $34.98 Buy
Gerald Wilson's 1962 album, Moment of Truth, features his dynamic big band on an action-packed 9-song set (7 of which were composed by Wilson) with highlights including the swaggering blues of the title track, the irrepressible Latin groove of "Viva Tirado," and a fleet-footed version of Miles Davis's "Milestones." Blue Note Tone Poet Series features all-analog, remastered 180-gram vinyl in deluxe gatefold packaging.
This release marks the first vinyl reissue of the jazz classic by master conguero Mongo Santamaría. First released in 1976, Sofrito combines jazz with Afro-Cuban grooves, funk and soul. From the simmering blues of “Spring Song” to the devastating bass line of “O Mi Shangó” to the rousing groove of the title track, this set exemplifies the heady ambition of ’70s Afro-fusion at its most soulful. This edition features lacquers cut by Kevin Gray at Cohearent Audio and is pressed on 180-gram vinyl.
Released as part of the Acoustic Sounds Series celebrating 70 years of Contemporary Records, Saxophonist Art Pepper's first album "Meets The Rhythm Section" features Pepper's legendary sessions with the East Coast rhythm section for Miles Davis's quintet. Originally released in 1957 and recorded by legendary engineer Roy DuNann this new edition features ALL-ANALOG mastering from the original analog tapes by Bernie Grundman. It is pressed on 180-gram vinyl at QRP and presented in a tip-on jacket.
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Released as part of the Acoustic Sounds Series celebrating 70 years of Contemporary Records, Saxophonist Benny Carter's Jazz Giant album features performances by Andre Previn, Shelly Manne, Barney Kessel and Ben Webster amongst others. First released in 1958 and recorded by legendary engineer Roy DuNann this new edition features ALL-ANALOG mastering from the original analog tapes by Bernie Grundman. The record is pressed on 180-gram vinyl at QRP and is presented in a tip-on jacket.
Released as part of the Acoustic Sounds Series celebrating 70 years of Contemporary Records, Four! highlights the timeless talents of Hampton Hawes (Piano), Barney Kessel (Guitar), Shelly Manne (Drums) & Red Mitchell (Bass). First released in 1958 and recorded by legendary engineer Roy DuNann this new edition features ALL-ANALOG mastering from the original analog tapes by Bernie Grundman. The record is pressed on 180-gram vinyl at QRP and presented in a tip-on jacket.
Released as part of the Acoustic Sounds Series celebrating 70 years of Contemporary Records, The Poll Winners brings togther the talents of Barney Kessel (Guitar), Shelly Manne (Drums) and Ray Brown (Bass). First released in 1957 and recorded by legendary engineer Roy DuNann this new edition features ALL-ANALOG mastering from the original analog tapes by Bernie Grundman. The record is pressed on 180-gram vinyl at QRP and presented in a tip-on jacket.
Trombone Shorty returns with Lifted, his first album in 5 years and the follow-up to his Blue Note debut Parking Lot Symphony, featuring special guests including vocalist Lauren Daigle & guitarist Gary Clark Jr. An album that captures the energy of his legendary live shows, Lifted combines classic New Orleans sounds (funk, gospel, street rhythms, Mardi Gras Indian chants & second lines) with modern lyrics, melody & beats to create something fresh & unique. Part Jimi Hendrix, part James Brown and all New Orleans, Troy “Trombone Shorty” Andrews is the bandleader and frontman of Trombone Shorty & Orleans Avenue, a hard-edged funk band that employs brass-band beats, rock dynamics & improvisation in a jazz tradition.